Age
46 (as in 2021)
Hometown
Cuddalore, Tamil Nadu, India
2) ‘National Film Award’ for the film ‘Aadukalam’ (2011)
3) ‘Filmfare Award’ in the category of ‘Best Tamil Director’ for the movie ‘Aadukalam’ (2011)
4) ‘SIIMA Award’ for the film ‘Aadukalam’ (2011)
5) ‘Vijay Award’ for the movie ‘Aadukalam’ (2011)
6) ‘National Film Award’ for the movie ‘Kaaka Muttai’ (2015)
7) ‘Tamil Nadu State Film Award’ for the movie ‘Kaaka Muttai’ (2015)
8) ‘Ananda Vikatan Cinema Award’ in the category of Best Film ‘Kaaka Muttai’ (2015)
9) ‘Norway Tamil Film Festival Award’ for the movie ‘Kaaka Muttai’ (2015)
10) ‘Audience Choice Award’ for Best Feature Film ‘Kaaka Muttai’ (2015)
11) ‘Filmfare Award’ for the movie ‘Kaaka Muttai’ (2015)
12) ‘Edison Award’ in the category of ‘Best Producer’ for the film ‘Kaaka Muttai’ (2015)
13) ‘Ananda Vikatan Cinema Award’ for the film ‘Visaranai’ (2016)
14) ‘National Film Award’ for the movie ‘Visaranai’ (2016)
15) ‘Ananda Vikatan Cinema Award’ in the category of best director for the film ‘Visaranai’ (2016)
16) ‘Ananda Vikatan Cinema Award’ for the film ‘Vada Chennai’ (2018)
17) ‘Zee Cine Award’ in the category of ‘Best Director’ for the movie ‘Asuran’ (2019)
According to Stardom1.com , Vetrimaaran’s Net Worth is below, He Lives a Luxury LifeStyle, Maaran’s Primary Net Worth income comes from Films and Secondary income comes from Brands, ads, and Others.
Vetrimaaran Net Worth is approx 02 – 05 Million.
Vetrimaaran | |
---|---|
in 2021 (Approx) | |
in 2020 (Approx) | |
In 2019 | |
In 2018 | 02 Million |
Salary | 20 – 40 Lakh |
Income Source | Vetrimaaran Primary income comes from Films and Secondary income comes from Brands, ads, and Others. |
Income Verified Status | Not Verified. |
Vetrimaaran was born in Cuddalore, Tamil Nadu, India. His mother’s name is Megala Chitravel and his father’s name is Dr. V. Chitravel, brother, and sister’s name is Under review.
Vetrimaaran’s wife’s name is Aarthi, they both are blessed with a daughter Poonthendral.
Destinations
Under review.
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August 28, 2024
Updated On : October 7, 2019
Film director.
BIRTHDAY | 4 September,1975 (Thursday) |
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BIRTH PLACE | Cuddalore, Tamil Nadu |
COUNTRY | India |
AGE (in 2024) | 48 Years Old |
BIRTH SIGN | Virgo |
HEIGHT | in centimeters- in meters- in Feet Inches- |
WEIGHT | in Kilograms- in Pounds- |
CASTE | N/A |
Vetrimaaran popularity on social media, short biography.
National Award Winner, Ace Tamil Film Director, Vetrimaaran was born on 4th September 1975 in a small town called Cuddalore in Tamilnadu, India. The Grim Movie maker has made India proud with his Film Visaranai becoming the official entry at Oscars in Foreign Film Category.
Other Name: | Vetri Maaran |
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Other Professions: | |
Appearance: |
Vetrimaaran popular videos.
He was born to Dr. V. Chitravel and Megala Chitravel . Vetrimaaran is married to Aarthi who is working as a General Manager in a Multinational company. The couple is blessed with 2 children including a daughter named Poonthendral .
Chest Size | 40 |
Biceps Size | 13 |
Waist Size | 32 |
Skin Colour | Dark |
Eye Colour | Black |
Hair Colour | Black |
Home Town | Cuddalore, Tamil Nadu |
Nationality | |
Religion | Hindu |
Address | Chennai, Tamil Nadu, India |
School | N/A |
College | Loyola College, Chennai |
Qualification | Graduate |
Hobbies | Travelled and Reading Books |
Marital Status | Married |
Debut | As a director of Tamil films - Polladhavan (2007) As a Producer of Tamil films - Visaaranai (2016) |
Best Movies | Polladhavan (2007), Aadukalam (2011), Visaaranai (2016), Vada Chennai (2018), and Asuran (2019) |
Salary | N/A |
Net Worth | N/A |
Official Website | N/A |
Favorite Color | White |
Favorite Sport | Cricket |
Favorite Actress | |
Favorite Actor | |
Favorite Food | South Indian Dishes |
48 years, 11months, 24 days old age Vetrimaaran will turn 49 on 04 September, 2024. Only 6 days, 21 hours,18 minutes has left for his next birthday.
Thursday | |||
Thursday | |||
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Vetrimaaran Wiki and Biography: The movie won three awards at the 72nd Venice Film Festival. It won two Filmfare South Awards and the Amnesty International Italia Award.
Nick Name | Vetrimaaran, Vetri |
Profession | Director, Screenwriter |
Famous For | Movies |
Wife Name | Aarthi Vetrimaan |
Age | 47 years |
Height | 5”9 |
Weight | 70 Kgs |
Eye Color | Black |
Hair Color | Black |
Date of Birth | 04 September 1975 |
Birth Place | Cuddalore, Tamil Nadu, India |
Zodiac Sign | Virgo |
Nationality | Indian |
School Name | NA |
College Name | Loyola College, Chennai |
Qualifications | Graduate |
Father Name | Dr. V. Chitravel |
Mother Name | Megala Chitravel |
Siblings | NA |
Career | Movie Director, Screenwriter |
Source of Income | Movies |
Appeared In | Movies |
Net Worth Salary | 78 Crores+(Approx.) |
Vetrimaaran education.
Vetrimaaran went to Loyola College in Chennai and got a degree. After that, he wanted to work as a director. As part of his English literature degree at Loyola, he took a class on how to make TV shows. His final project for that class was a short movie. As the movie was being made, he became interested in how movies are made. Then, he went to a seminar that Loyola professor Balu Mahendra gave while he was there. Vetrimaaran was so impressed by the director with a lot of experience that he decided to learn from him. Balu Mahendra then made the decision to make him an important assistant.
Vetrimaaran was born in the city of Cuddalore in 1975. Dr. V. Chitravel, his father, was a veterinarian, and Megala Chitravel, his mother, is a well-known author. Sister makes up his older sibling. He finally decided to live in Ranipet. He gets married to Aarthi, a classmate from Loyola University Maryland with whom he fell in love while they were still in school. Vetrimaaran is married and has won four National Awards and one Film Fare Award. He is the father of Poonthendrel and Kadiravan. He was the director of the movie Polladhavan, which got a lot of good reviews when it came out.
Polladhavan, the movie he directed, was a hit when it came out. Since the movie came out in 2007, Vetrimaran has kept making high-quality films for the Kollywood market. Surya makes a quick appearance in the children of Viduthalai Vijay Sethupathi. Vaadi Vaasal is the full name of the next movie by Vertimaaran. Suriya worked out with a bull in a video that went viral. He did this to get ready for his next movie, Vaadi Vaasal.
Vetrimaran helped the filmmaker Balu Mahendra at first. Balu Mahendra would ask Vetrimaran to read between forty and fifty novels a week so that he could help him choose the best books. He told Dhanush about a story he had written called Desiya Nedunchaalai 47, which was the result of his work. However, the movie had many problems. Later, “Polladavan,” which made more money at the box office than “Alagiya Thamizh Magan” and “Vel,” two movies with “Victorious” stars Suriya and Vijay, was chosen.
Besides being a good filmmaker, he is also a good producer. Some of the movies he has made have been nominated for and won Oscars. “Aadukalam,” his second great movie, won him his first national award. With the success of Visaaranai, his third film as a director, both critically and financially, he has gotten a lot of praise and nominations, including one for an Academy Award. Vetrimaran and Dhanush have worked together again on a new film called “Vada Chennai.” The much-anticipated movie starring Suriya Vaadivasal is currently in post-production, and Viduthalai, which stars Vijay Sethupathi and Soori, will be out very soon. The movie is being made right now.
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Vetrimaaran stands as a towering figure in the of Indian cinema, celebrated for his multifaceted contributions as a film director, producer, and screenwriter, primarily within the vibrant tapestry of Tamil cinema. As of 2021, his illustrious career has been adorned with accolades, boasting five National Film Awards, eight Ananda Vikatan Cinema Awards, and two Filmfare South Awards.
Born in 1975 in the culturally rich city of Cuddalore, Vetrimaaran inherited a legacy of academia. His father, Dr. V. Chitravel, a distinguished veterinary scientist, and his mother, Megala Chitravel, a respected novelist, provided the backdrop for his early years. The seeds of his cinematic journey were sown during his tenure at Loyola College, where a course on television presentation ignited his passion for the art of filmmaking.
The pivotal juncture in Vetrimaaran’s career came through his association with veteran filmmaker Balu Mahendra. Serving as one of Mahendra’s lead assistants, Vetrimaaran gleaned invaluable insights into the nuances of filmmaking. Faced with the perennial dilemma of choosing between academia and the allure of cinema, Vetrimaaran chose the latter, forsaking his academic pursuits at Loyola to chart a course into the world of films.
His directorial debut, “Polladhavan” in 2007, was a cinematic endeavor inspired by the quest for a lost bike. The film garnered acclaim, with Vetrimaaran’s directorial style drawing favorable comparisons to Balu Mahendra’s illustrious approach. The subsequent venture, “Aadukalam” (2011), delved into the intense world of cockfighting in Madurai and earned Vetrimaaran six National Film Awards, solidifying his status as a formidable directorial force.
In an expansion of his cinematic footprint, Vetrimaaran founded the Grass Root Film Company, a production house that would serve as a vehicle for his creative endeavors. “Visaranai” (2015), a film exploring the brutal hardships faced by Tamil laborers at the hands of the police, emerged as India’s official entry to the Academy Awards, shedding light on societal injustices.
The ensuing years witnessed Vetrimaaran’s continued ascendancy. Collaborations with actor Dhanush in films such as “Vada Chennai” (2018) and “Asuran” (2019) not only garnered critical acclaim but also tasted success at the box office. “Vada Chennai,” in particular, distinguished itself by portraying the narrative of a skilled carrom player ensnared in a gripping gang war. In his role as a producer, Vetrimaaran championed several noteworthy films, including “Poriyaalan” (2014) and the critically acclaimed “Kaaka Muttai” (2015). Both his directorial ventures and productions consistently received accolades, establishing him as a revered figure within the film industry.
Vetrimaaran’s creative prowess extended to the anthology “Paava Kadhaigal” (2020), where his segment, “Oor Iravu,” delved into the sensitive issue of honor killings. The segment, marked by its powerful storytelling and deft direction, earned acclaim from audiences and critics alike.
Throughout his illustrious career, Vetrimaaran’s films have been a canvas for exploring diverse themes, seamlessly blending realism with commercial elements. His ability to capture the essence of societal issues and present them cinematically has bestowed upon him the status of one of the preeminent directors in the panorama of Indian cinema.
Name | Vetrimaaran |
---|---|
Also Known as | Vetrimaaran |
Date of Birth | 04/09/1975 |
Current Residence | Chennai |
Religion | Hindhu |
Nationality | Indian |
Hobbies | reading, writing |
Father | Dr. V. Chitravel |
Mother | Megala Chitravel |
Spouse | Aarthi |
Children | Poonthendral, Kathiravan |
Educational Qualification | Graduation |
College (s) | Loyola College |
Debut Movies | |
---|---|
Language | Movie Name |
Tamil | Polladhavan |
Awards List | ||||
---|---|---|---|---|
Year | Award | Category | -->Movie Name | |
2007 | Vijay Award for Best Director | --> | Polladhavan | |
2011 | National Film Award for Best Director | --> | Aadukalam | |
2011 | National Film Award for Best Screenplay | --> | Aadukalam | |
2011 | Filmfare Award for Best Tamil Director | --> | Aadukalam | |
2019 | National Film Award for Best Feature Film in Tamil | --> | Asuran | |
2016 | National Film Award for Best Feature Film in Tamil | --> | Visaranai | |
2015 | National Film Award for Best Children's Film | --> | Kaaka Muttai |
Upcoming movies, filmography of vetrimaaran.
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Actor/Producer/Director
04 Sep 1975
Vetrimaran is an Indian film Actor/Producer/Director, who has worked predominantly in Tamil movie industry . Vetrimaran has worked in popular movies like Vada Chennai 2 , Vendhu Thanindhathu Kaadu . Vetrimaran's previous film to hit the theatres was Vada Chennai 2 in the year 2023 .
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5 ft 7 in | |
68 kg | |
September 4, 1975 | |
Virgo | |
Aarthi |
Vetrimaaran predominantly works in the Tamil film industry. His first film as a director was Polladhavan (2007). He owns a production company named Grass Root Film Company . One of his films named Visaaranai (2015) opted as India’s official entry to Academy Awards . Previously, he was working as an assistant director with Balu Mahendra .
Vetri Maaran
Cuddalore, Tamil Nadu, India
He did his schooling up to 10th grade at a school in Ranipet, Vellore. Then he joined YMCA , Chennai for his higher secondary education.
Later in 1994, he pursued English Literature at Loyola College , Chennai. He dropped out of his Master’s degree in 1999 to shift his career to the film industry.
Film Director, Film Producer, Screenwriter
5 ft 7 in or 170 cm
68 kg or 150 lbs
Vetrimaaran’s name has been linked with –
Asian (Indian)
Distinctive features.
Dedication towards work
Source – YouTube , YouTube , The Hindu
Featured Image by Silver Screen / SilverScreen.in / CC BY-SA 3.0
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Vetrimaaran is arguably among the most interesting filmmaker working in the tamil film industry. here’s documenting his rise and what it takes to be a talent like him..
His production house’s name, Grass Root Film Company, is a clear pointer to Vetrimaaran’s worldview. This Deepavali’s biggest release in Tamil Nadu is, arguably, Kodi (Flag), a political thriller he has produced that stars Dhanush in his first double role, as twin brothers. The twins may be identical but their natures are mutually exclusive. Refreshingly, Kodi casts Trisha as a feisty woman politico, giving Dhanush’s eponymous hero a run for his money.
“For a hero movie, it’s pretty decently written,” pronounces Baradwaj Rangan, film critic and associate editor at The Hindu. “There’s a conflict, there are surprises and even within a commercial film, it’s properly written and directed. It’s not some random moments strung together to get people whistling.”
The film’s premise is how politics and political interests shape communities and the quality of their life. In this case, it involves skullduggery surrounding a factory emitting toxic effluents. It could be happening not too far away from our backyards.
At the Oscars
Vetrimaaran himself, however, was conspicuous by his absence during Kodi’s promos. He has a bigger task on hand. Visaaranai (Interrogation), the part-docudrama, part-crime thriller he directed, is India’s official entry to the 89th Academy Awards in the Best Foreign Language Film category. So he is in the US persuading jurors take note of his film, which has some truly hairy torture scenes. The last Tamil film that made it to the Oscars was 16 years back: Hey Ram starring Kamal Haasan.
Usually, the choice of any film to represent the country at the Oscars polarises critics, but Visaaranai remains largely unchallenged. Rangan agrees. “Visaaranai was a fantastic film.”
It tells the story of innocent migrant labourers picked up and tortured by the police to extract a false confession for a fatal robbery at an influential man’s house. How the film, shot in 42 days on a Rs 2-crore budget and eventually wining three National Film Awards, got made is interesting. After his Aadukalam in 2011, Vetrimaaran had busied himself with his production ventures, Udhayam NH4, Poriyaalan and Kaaka Muttai. When he was prepared to shoot his next, the script he picked was Soodhadi, a story on gambling, proposing Dhanush in the lead role. However, the actor had to take time off to work in Balki’s Shamitabh, being shot in Mumbai.
Vetrimaaran was mooting a book adaptation when director Balu Mahendra’s assistant serendipitously presented him with Lock Up, a riveting, partly autobiographical book written by M Chandrakumar, a former autorickshaw driver. The book, which took five years to write and another four to publish, narrates his harrowing experience while in jail in (then) Andhra Pradesh.
“When I pitched the story to Dhanush, who later produced the film, I said I can only guarantee you a three-day weekend run at the box office. But it’s a low-budget venture; you’ll get your investment back,” Vetrimaaran laughs. “Dhanush was amused, but agreed to fund the project. [I thought] it’s the kind of film that would not bring in repeat audiences. I was proved wrong and it got a good three-week run.”
The author, Chandrakumar, was incarcerated for a fortnight way back in 1983. “Yet his experiences are relevant even today,” points out Vetrimaaran. “Visaaranai reflects a stark reality from which you cannot shut yourself out: that is its success. It was challenging to find the right kind of actors and locations. We employed real stuntmen who could exercise restraint while beating up the actors.”
“What was unique was that there were a lot of first-time actors in the film; that added rawness to it,” says K Hariharan, filmmaker and critic. “Actors like Samuthirakkani and Kishore were entirely on the sidelines. That made it an interesting watch.”
Astutely, the team decided to send it to international film fests right away, confident it would work with foreign audiences. Visaaranai premiered at the Orrizonti section of the 72nd Venice Film Festival, a first for a Tamil film, and won the Amnesty International Italia Award. Crucially, the European audience was exposed to a hitherto unexplored form of Tamil cinema that dealt with grim reality in a non-dramatic but powerful way.
“Europeans have a different policing system. They found my narrative a bit harsh, though they were moved,” explains Vetrimaaran.
A rooted voice
It is Vetrimaaran’s preoccupation with sometimes gritty, sometimes heartwarming reality that makes this 41-year-old one of the best filmmakers of our times.
“The best thing about the regional filmmakers is that they bring in a very ‘native’ feel,” says Rangan. “Like if I watch Nagraj Manjule’s Sairat for instance, I find [elements] that remind me of Vetrimaaran. But that’s more because these filmmakers do these ‘rooted’ things very well. They give you the sense of the atmosphere, the rhythms of life in that particular environment, they take care to bring them alive.”
His critically acclaimed debut venture, Polladhavan (Ruthless Man) in 2007, followed a lower middle-class young man’s search for his stolen bike, an exercise that takes him through the seamy underworld. Four years later came Aadukalam (Arena), a Pongal release that raked in six National Film Awards. The cockfight arena was where love, ego, honour, friendship and betrayal were played out in the rustic backdrop of Madurai.
Says Manimaran, long-time friend and assistant, “Vetri used to like watching cockfights in the neighbourhood in our hometown. So he thought we could develop a story around them.”
There was no doubt about who would play the lead. “I wrote Aadukalam keeping Dhanush in mind,” says Vetrimaaran. “As an actor, he delivers exactly what I need and sometimes more. As a producer, he offers me complete freedom and does not interfere at all. He trusts me completely.”
Rangan explains the Vetrimaaran touch, “There is a world of difference in the way he uses the song and dance elements in Polladhavan and Aadukalam. They have become more organic and rooted; they’re not fantasy elements.”
“I personally prefer Aadukalam to Visaaranai, but it’s like comparing apples and oranges,” says Hariharan. “Aadukalam had a certain kind of warmth and spontaneity. Visaaranai, to me, looked rather staged.”
He explains, “Visaaranai’s [appeal across the world] is that for the first time in Tamil cinema, you see this kind of brute reality without the director taking recourse to a love story or family drama. It’s also interesting that a country like India allowed such a strongly critical film on the system. There’s no doubt that Vetrimaaran is a bold filmmaker.”
Vetrimaaran’s productive chemistry with Dhanush has paid rich dividends. The two went on to produce Kaaka Muttai (Crow’s Egg) in 2015, a subversive film poking fun at what is regarded as cool - pizzas, in this case. This little gem, premiering at the Toronto International Film Festival, tracks two brothers from a Chennai slum dying to taste a pizza. Directed by M Manikandan with wit, not once is the children’s dignity compromised. Their family struggles in a heartless and corrupt city and soon we find ourselves cheering for our little heroes. Kaaka Muttai pocketed two National Film Awards.
“There is a stamp of quality that people have begun to associate with Vetrimaaran, because even the films he produces are pretty decent,” says Rangan, adding that he looks for, and gets, that certain quality.
Vetrimaaran’s genius lies in shining a light on people we would not even glance at in our rat race. His films show us that ordinary people often lead extraordinary lives if only we stop to talk to them.
Smitten by cinema
Born in Cuddalore near Puducherry and raised in Ranipet, a suburban town in Vellore district, two and a half hours from Chennai, Vetrimaaran was smitten by cinema even as a child. His mother, a writer, ran a school in the area, while his father was a veterinarian. Friends remember him as a film buff who watched every movie that came to town.
“He would bunk classes and watch them, each three or four times. Then he would come to the school ground where we used to hang out until 7:30 in the evening and would retell the whole story to us. My friends and I have actually walked out of the theatre at times because the film was nowhere as good as his narration. He still has that quality,” says Manimaran, his assistant.
Vetrimaaran was in his second year of Masters in English Literature in 1999 when the now-deceased filmmaker Balu Mahendra was invited to judge a short film contest at the Loyola College, Chennai. Shortly afterwards, he attended a seminar conducted by the director and was inspired enough to assist him in Julie Ganapathy, Athu Oru Kanaa Kaalam and the television series Kadhai Neram.
Athu Oru Kanaa Kaalam cemented his friendship with the lead actor, Dhanush, whom he describes as his best friend. While still assisting Balu Mahendra, Vetrimaaran pitched the story of Desiya Nedunchalai, and the actor readily agreed to play the lead.
Recalls Manimaran, “Producers were not hard to come by because we had Dhanush. But a few had misgivings about how Vetri would handle the project as a newcomer. So we tossed aside that script, which I later made into Udhayam NH4.”
The initial years proved to be rough. “I was pitching different scripts to different people for three years and it was the sixth producer who okayed Polladhavan,” says Vetrimaaran on his directorial debut.
Adds Manimaran, who assisted him in the project, “After the film was edited, we were really scared to show it to the producer. We kept stalling the screening telling him it may not have come out as he expected. Finally, when he saw it, he was satisfied. We were relieved and gradually grew confident.”
Pushing for excellence
When Manimaran himself forayed into direction with Udhayam NH4 in 2013, Vetrimaaran returned the favour by stepping in as producer under his banner, Grass Root Film Company. As he puts it, “I want my production house to be a platform for good, interesting ideas. I can find a producer for my films, but others, who may be first-time filmmakers, might have innovative scripts that mainstream producers might not understand. Like Kaaka Muttai for instance.
“I produce films in partnership as I may not be able to afford the entire budget. Dhanush ends up co-producing some of them as our tastes are similar. None of my producers ever ask me for the budget. I always make sure it is within their means and I can give the desired returns.”
For someone who has been successful both commercially as critically, Vetrimaaran has directed only three films in nine years. “For me, every film is a learning process. After each, I take time to unlearn. Then I find new content, learn it completely and then execute it.”
Manimaran describes his working process thus, “Many directors make changes to the script on the spot. But Vetrimaaran is different because he pays attention to detail. He puts in a lot of effort, so there may be last-minute adjustments with lighting and locations. Unlike working with other directors, you need to be available 24 hours.”
Outside of work, the father of two, who met his wife Aarthi while at college, likes to race pigeons, pretty much like the characters he portrays. His rootedness has also led him to voice the germ of an idea: setting up an organic farm eventually.
Rangan describes grit as the definitive quality of Vetrimaaran’s films, and praises his skill in animating the atmosphere in terms of the integrity of the characters, the plot, and the texture. “The way he shapes the characters and writes them, you feel that these are not [just] individual people; you get a sense of where they come from, where they belong. [They’re] not just some random characters floating around.”
His fans are already talking about his fourth film, Vada Chennai (North Chennai), an ambitious gangster trilogy he has been planning since 2003. After undergoing several changes of scripts and stars, Dhanush, Vijay Sethupathi, Amala Paul and Samuthirakkani are among those confirmed on the project that is currently under way. Slated for release next year, Vada Chennai is also bound to have the by-now classic Vetrimaaran stamp.
(Published in arrangement with GRIST Media.)
By car&bike Team
1 mins read
Published on February 17, 2022
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One of the more prolific directors of the Tamil film industry Vetrimaaran is known for some incredible cinema. But little did we know that the filmmaker likes his machines to be fast and powerful as well. The director, popular for films like Adukalam, Vada Chennai, Asuran, Polladhavan, among others, recently purchased the BMW R nineT Scrambler, images of which are now going viral on social media. The BMW R nineT Scrambler is the retro-styled offering from the Bavarian manufacturer and is priced at Rs. 16.75 lakh (ex-showroom, India).
Also Read: Actor Avneet Kaur Brings Home The Range Rover Velar Worth Rs. 86.75 Lakh
BMW R nineT Scrambler differentiates itself with a 19-inch front and a 17-inch rear wheel, high-mounted exhaust and a different colour scheme
The BMW R nineT Scrambler is the more ruggedly-packaged version based on the R nineT. The bike gets the atypical Scrambler look with the relaxed seating posture, brown-finished leather seat, and a high-mounted twin exhaust. Vertirmaaran's machine is finished in the Granite Grey Metallic shade, while you also have the option of Black storm metallic/Racing red, Cosmic blue metallic/Light white uni, and Kalamata metallic matt. The styling remains true to the standard R nineT with the boxer engine sticking out, making it an instantly recognisable motorcycle.
Director Vetrimaaran's BMW R nineT Scrambler is finished in the Granite Grey Metallic shade
In terms of power, the BMW R nineT Scrambler uses the 1170 cc twin-cylinder, air/oiled-cooled boxer engine that develops 108 bhp at 7,250 rpm and 116 Nm of peak torque at 6,000 rpm. The motor is paired with a 6-speed gearbox with a hydraulically actuated clutch and a shaft final drive. The top speed is rated at 200 kmph on the motorcycle while you get two rider modes - Rain and Road, cornering ABS, and traction control, as part of the electronics suite.
Also Read: Actor Athiya Shetty Brings Home The New Audi Q7 Worth Rs. 88.33 Lakh
The BMW R nineT Scrambler uses 43 mm telescopic forks upfront and a monoshock at the rear, while braking performance comes from 320 mm twin disc brakes at the front and a 265 mm single disc at the rear. Compared to the standard R nineT, the Scrambler makes do with a 19-inch wheel at the front and a 17-inch wheel at the rear. The Scrambler promises to slush it out better where there's no tarmac and we do hope Vetrimaaran makes full use of his newest possession.
Director Vetrimaaran checks out his BMW R nineT Scrambler before delivery
On the work front, the five-time National Award-winning director has quite a bit lined up. He is currently busy with Viduthalai with actors Soori, Vijay Sethupathi, and Gautham Vasudev Menon in prominent roles. He will then helm Vaadivasal which is based on the ancient sport of Jallikattu. Vetrimaaran also has several web series in his kitty while he is also producing Adhigaaram with actor Raghava Lawrence in the lead role.
Images Source: KUN BMW Motorrad
Last Updated on February 17, 2022
Starts at ₹ 19 - 24 Lakh
Vetrimaran aka Vetrimaaran is the mastermind behind blockbusters like Vadachennai, Asuran Adukalam, Visaranai, and Polladhavan. He is one of the most successful directors of Kollywood. Besides, Vetrimaran-Dhanush is amongst the best director-hero combo of all time. Also, Visaranai was India’s official nomination to the Oscars.
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Vetrimaran admitted that he used to smoke 150 to 180 cigarettes on a daily basis. In the sets of Polladhavan, his assistants reminds him of the count of packets he smoked. Even so, he would ask them to buy extra packets. Vetri started smoking at the tender age of 13. Ever since he was addicted to nicotine.
But after seeing the film GVM’s Varanam Aayiram he had given up his habit. In the film, Surya’s father meets with ill-fated demise due to smoking. Indeed, this has motivated Vetrimaran to stop nicotine.
He is a teetotaller for more than 10 years now. He also added that it made him physically more capable than before.
Vetrimaran hated engineering and any science studies for that matter. He also used to bunk schools and watch films every day. Clearly, he lacked focus and no plan on what to do. He kept on switching from one interest to another.
He then was convinced that he wanted to do law from a prestigious university. Then he enrolled himself in BA literature in Loyola. In just a few months, his LLB dream faded. He was immersed in the world of literature. Then, Vetri said his mom that he shall be a professor.
Later, he enrolled himself in a 6-month course offered by the college’s Viscom department. The final exam demanded a short film or docufiction. He did docufiction on ball boys of the tennis court. During the process he realized that his propensity toward filmmaking constantly hung with him since his adolescence. Vetrimaran decided that he wanted to learn more about films. He then joined MA literature only to learn cinema.
One day, Balu Mahendra came to a seminar in his college. Vetrimaran was convinced that he should be his mentor. He got in touch with Balu Mahendra. Vetri got an opportunity to work with his master. But, he had to give up on his final semester exams. He can only choose one path. So, he opted out and joined as an assistant. The decision turned out to be a gamechanger in his life. In his TEDx speech he said that one has so many choices. Still, it important to know which bridge(choice) to burn and which one to cross.
Usually, wives of big celebrities commit to their family duties. But, Vetrimaran’s wife, Aarthi had pursued her profession. When she was first posted in Hyderabad, she was confused about whether to take up the job or not. However, Vetri clearly said there is no point in loving each other if it comprises on their respective careers. This motivated her to climb the professional ladder. Now, she is in a very respectable position as a GM in a company.
Vetrimaran neither likes visiting temples nor believes in god. He rather perceives humanity. His wife once said in an interview that he doesn’t like to come inside temples for worship. She is also okay with it because at the end of the day, he is very conscious of his words and ensures that he hurts none.
On his birthday, let's take a look at how vetri maaran is sustaining the trend of film adaptations in tamil cinema.
Tamil filmmakers have seldom recognized the untapped potential of Tamil literature. The argument that Tamil cinema is too ‘masala’ for it to borrow from literature doesn’t hold water because Tamil literature doesn’t just have ‘serious’ and ‘deep’ books. It has a humongous repository of pulp fiction. For every intense work like Pa Singaram’s Puyalilae Oru Thoni, there’s one gripping page-turner like Sujatha’s Ratham Orae Niram or Rajkumar’s Kaatrin Niram Karuppu. Thus, it is dumbfounding when stars complain about the paucity of good stories from filmmakers.
However, novel adaptations in Tamil are not entirely nonexistent. It is an age-old phenomenon. Films like Jayakanthan’s Unnaipol Oruvan (which received a National Award in 1965), Rajinikanth ’s Priya (1978), Karaiyellam Shenbagapoo (1981), and Kamal Haasan ’s Vikram (1986) are some of the notable examples. Yet, these are just flashes in the pan. A sustained trend of film adaptations hasn’t happened in contemporary Tamil cinema. But filmmaker Vetri Maaran seems to be giving some hope.
The National Award-winning filmmaker has so far directed five feature films of which two are adaptations of Tamil novels. His upcoming films Viduthalai and Vaadivasal are also based on Tamil literary works, which makes Vetri Maaran, a vital link between Tamil literature and cinema. Not just that, he has also cracked the formula of using serious literature for making commercial films.
Literature and Vetri Maaran
The relationship between literature and Vetri Maaran should have begun way early in his childhood as his mom Megala Chitravel is a noted Tamil novelist. On top of that, the director also studied English literature at Loyola College, Chennai. When he wanted to work with his mentor, prolific filmmaker Balu Mahendra, it was his knowledge of literature that aided him to get the opportunity. In an interview with Tamil magazine Anandha Vikatan, Vetri Maaran shared that Balu Mahendra asked him to come up with a synopsis for a novel as part of his interview process for the assistant director role. Though only his third film, Visaaranai (National Award-winning film and official Indian entry to the 89th Academy Awards for Best Foreign Language Film) turned out to be his first adaptation, one can see that his tryst with written words has been an integral part of his journey.
Making literature mainstream
One of the criticisms against Asuran, Vetri Maaran’s film adaptation of Poomani’s Vekkai (Heat), is that the story was commercialised and unfaithful to the source material. Yet, his mainstream treatment of the novel is what contributed to the film’s commercial success. Vetri Maaran gave a ‘Baasha’ twist to Poomani’s novel, which turned the layered novel into a story of an underdog.
Vekkai is about Sivasamy and his 15-year-old son Chidambaram, who are on the run from the police after the latter kills an upper caste man Vadakooran to avenge the murder of his elder brother. As the dad and son spend around eight days in the forest hiding, the story of oppression and caste politics unfolds. The novel is devoid of heroism and deals with everyday people and their excruciating pain. Vetri Maaran made a significant change in his film by making Sivasamy the ‘hero’ of the film, while in the book, Chidambaram is the ‘protagonist’. Also, Dhanush ’s Sivasamy is an entirely different person from the one we find in Poomani’s book. In addition, the entire backstory of Sivasamy, which depicts him as a rebellious young man, is absent in the novel. This made Dhanush’s Sivasamy a familiar trope of mainstream cinema – a man with a violent past. This vital change made the film accessible to all sections of the audience.
However, critics of Vetri Maaran are also not wrong. A faithful remake of the film aided by Vetri’s brilliant cinematic language would have yielded a far better cinema, but it would have been a gamble when it comes to the business aspect of the film. One should only look at Vetri Maaran’s attempts as a small step in the right direction.
Challenges ahead with Vaadivasal
I am looking forward to seeing what he does with CS Chellapa’s novella Vaadivasal. The story of the novel doesn’t have enough meat for a typical Tamil feature film as it is just a story of events happening in one day at a Jallikattu event. A guy named Picchi arrives at a neighbouring village for the jallikattu event. He wants to tame the frightening bull named Kaari, which killed Picchi’s father years ago. That’s all there is to the story of the novella. Yet, it stands as a brilliant literary piece for its dialect and the depiction of caste politics in the sport of jallikattu. It would make up for a great cinema if Vetri Maaran recreates everything faithfully on screen.
Yet, I wouldn’t be surprised if the director opts for an entire flashback portion for Picchi’s father (Reports, already suggest that Suriya is playing a dual role in the film). Despite the commercialisation, such adaptations continue to sustain the importance of literature. I mean without the film adaptations, the mainstream would have remained unaware of these literary gems.
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Vetrimaaran Net Worth and Salary. The awards winning Vetrimaaran has an estimated net worth of over $5 million as of 2021. His primary source of income comes from film director, screenwriter, film producer as well as he earns almost 20-40 Lakh salary income. He has a huge car collection BMW and also actives charities work where he donated to ...
Vetrimaaran's income source is mostly from being a successful Film director. He is from India. We have estimated Vetrimaaran's net worth , money, salary, income, and assets. Net Worth in 2023. $1 Million - $5 Million. Salary in 2023.
According to Stardom1.com, Vetrimaaran's Net Worth is below, He Lives a Luxury LifeStyle, Maaran's Primary Net Worth income comes from Films and Secondary income comes from Brands, ads, and Others. Vetrimaaran Net Worth is approx 02 - 05 Million. Vetrimaaran. Net Worth. Net Worth in 2021 (Approx) 02 - 05 Million.
Net Worth: N/A: Official Website: N/A: Favourites. Favorite Color: White: Favorite Sport: Cricket: Favorite Actress: Nayanthara: Favorite Actor: Dhanush: Favorite Food: South Indian Dishes: Shocking / Interesting Facts & Secrets About Vetrimaaran. After Asuran, he will be shooting for a movie based on Kota Neelima's much acclaimed novel 'Shoes ...
Vetrimaaran (born 4 September 1975) is an Indian film director, film producer and screenwriter who primarily works in Tamil cinema.He is known for his unique filmography with major commercial success and high critical acclaim works. He has won five National Film Awards, three Filmfare South Awards and one Tamil Nadu State Film Award.. Vetrimaaran made his directorial debut with Polladhavan (2007).
Do you know Viduthalai director Vetrimaaran Net worth, இயக்குநர் வெற்றிமாறனின் சொத்து மதிப்பு ...
Vetrimaaran Wiki and Biography: The movie won three awards at the 72nd Venice Film Festival. It won two Filmfare South Awards and the Amnesty International Italia Award. Vetrimaaran Wiki: Biography, Age, Wife, Family, Education, Height, Weight, Movies List, Career, Profession, Net Worth
In 2009 Vetrimaran joins hands with dhanush for Aadukalam. Vetrimaaran might have taken a long time and indeed took the blame for delaying the project so much. But it's worth the time for the ...
Vetrimaaran stands as a towering figure in the of Indian cinema, celebrated for his multifaceted contributions as a film director, producer, and screenwriter, primarily within the vibrant tapestry of Tamil cinema. As of 2021, his illustrious career has been adorned with accolades, boasting five National Film Awards, eight Ananda Vikatan Cinema ...
Check out all about Vetrimaran Biography, Wife, Children, Life Story, Career, Movies, Height, Age, Birthday, Family, Net Worth only on filmiforest
In 2009 Vetrimaran joins hands with dhanush for Aadukalam. Vetrimaaran might have taken a long time and indeed took the blame for delaying the project so much. But it's worth the time for the ...
Vetrimaaran predominantly works in the Tamil film industry. His first film as a director was Polladhavan (2007).He owns a production company named Grass Root Film Company.One of his films named Visaaranai (2015) opted as India's official entry to Academy Awards.Previously, he was working as an assistant director with Balu Mahendra.. Born Name
By Prathibha Parameswaran, Chennai. Nov 02, 2016 08:05 PM IST. Vetrimaaran is arguably among the most interesting filmmaker working in the Tamil film industry. Here's documenting his rise and ...
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National Award-winning filmmaker Vetri Maaran, who is celebrating his 46th birthday on Saturday, is one of the new formidable voices in Tamil cinema.
Vetrimaaran was part of the second edition of the CII Daksin Summit, the largest media and entertainment summit in South India. The National Award-winning director spoke about the reason why South Indian films are transcending borders. "They say art doesn't need language and border, but art has its own language and culture," he began.
Vetrimaaran. Writer: Asuran. Vetrimaaran is an Indian film director, screenwriter and film producer, who works in the Tamil film industry. Vetrimaaran made his directorial debut with the Polladhavan. His second feature film Aadukalam won six National Film Awards. He produces films under his production company, Grass Root Film Company. His movie Visaranai (2016) was selected as India's official ...
Vetrimaaran is an Indian film director, screenwriter and film producer working in the Tamil film industry. His works, predominantly social issue dramas and action crime films, have been acclaimed for their gritty realism and scope. He is the recipient of five National Film Awards, eight Ananda Vikatan Cinema Awards, two Filmfare South Awards and the Amnesty International Italia Award from 72nd ...
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1. Vetrimaran Used To Smoke 15 Packets of Cigarettes Everyday. Vetrimaran admitted that he used to smoke 150 to 180 cigarettes on a daily basis. In the sets of Polladhavan, his assistants reminds him of the count of packets he smoked. Even so, he would ask them to buy extra packets. Vetri started smoking at the tender age of 13.
As of 2022, the average U.S. household had a net worth of $1,063,700. Median net worth, which is more representative of the broad population, was $192,900. Investing in tax-advantaged accounts is ...
The National Award-winning filmmaker has so far directed five feature films of which two are adaptations of Tamil novels. His upcoming films Viduthalai and Vaadivasal are also based on Tamil literary works, which makes Vetri Maaran, a vital link between Tamil literature and cinema. Not just that, he has also cracked the formula of using serious literature for making commercial films.
Over A Keto Meal, Director #Vetrimaaran in conversation with Baradwaj Rangan, talks about his journey in understanding food, eating, health and why he now ch...
Vetrimaaran. Writer: Asuran. Vetrimaaran is an Indian film director, screenwriter and film producer, who works in the Tamil film industry. Vetrimaaran made his directorial debut with the Polladhavan. His second feature film Aadukalam won six National Film Awards. He produces films under his production company, Grass Root Film Company. His movie Visaranai (2016) was selected as India's official ...