what does motorboating mean in the song pontoon

Meaning of Pontoon by Little Big Town

Little Big Town

Listen to the full song on Apple Music

"Pontoon" by Little Big Town captures the carefree spirit of summer days spent out on the water. The song conveys a sense of relaxation, enjoyment, and camaraderie as the lyrics paint a vivid picture of friends having a good time on a pontoon boat.

In the verses, the lyrics describe the act of preparing the pontoon for a fun day out on the lake. Lines like "Back this hitch up into the water / Untie all the cables and rope" set the scene of launching the boat into the water. The choice to float instead of ski signifies a preference for a more leisurely and laid-back experience. The imagery of "astro turf" and "coozie" adds a touch of nostalgia, hinting at the simple pleasures and comforts of summertime relaxation. The chorus celebrates the joy of being on the pontoon, with references to "making waves and catching rays," showcasing the sense of freedom and enjoyment that comes with spending time on the water. The repetitive refrain of "motorboating" serves as a playful and catchy way to emphasize the fun and carefree atmosphere of the song.

The bridge introduces more specific details about the pontoon, such as its features like "aluminum side" and "wood paneling with a water slide," contributing to the song's imagery and enhancing the listener's visualization of the experience. The repeated "Hoo hoo hoo" in the bridge and outro adds a sense of spontaneity and lightheartedness to the song, further emphasizing the carefree and joyful mood.

In summary, "Pontoon" by Little Big Town paints a vivid picture of a summer day spent on a pontoon boat, emphasizing the joy, relaxation, and camaraderie that come with such experiences. The lyrics evoke a sense of nostalgia for carefree days spent outdoors, celebrating the simple pleasures of leisurely activities and bonding with friends in a picturesque setting. The song captures the essence of summer fun and serves as a feel-good anthem for enjoying the simple joys of life.

This meaning interpretation was written by AI. Help improve it with your feedback

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The Meaning Behind The Song: Pontoon by Little Big Town

When “Pontoon” by Little Big Town hit the airwaves in 2012, it quickly became the anthem of summer. The catchy lyrics and upbeat melody of this song made it an instant hit among country music fans. But beyond the fun and carefree nature of the song, there is a deeper meaning to “Pontoon.”

Table of Contents

The Inspiration Behind “Pontoon”

“Pontoon” was written by Luke Laird, Natalie Hemby, and Barry Dean. According to Laird, the idea for the song came from a conversation he had with a friend who had just bought a pontoon boat. Laird saw the boat as a metaphor for a carefree and relaxing way of life. He thought about the simplicity of just being out on the water with friends, enjoying the sun and the scenery.

“It just kind of felt like the perfect metaphor for getting away from everyday life to me,” Laird said in an interview with Taste of Country.

The inspiration for the song comes from the idea of leaving behind the troubles of everyday life and embracing a more laid-back lifestyle, even if it’s just for a little while.

The Lyrics of “Pontoon”

The lyrics of “Pontoon” capture the essence of this carefree lifestyle. The verses describe the scene on the pontoon boat, with the sun shining, cold drinks in hand, and good company all around.

“We got a pontoon boat with a Yamaha People dressed like they’re in Panama We docked it out in the middle of nowhere Everywhere’s a dang good time”

The chorus of the song repeats the simple phrase “motorboatin’,” which captures the fun and lightheartedness of the moment, while also serving as a euphemism for something a bit more romantic.

“Motorboatin’, motorboatin’ Keepin’ it cool, smooth and steady Sippin’ on some cold Jack Daniel’s Jammin’ to some old Alabama”

The lyrics of “Pontoon” capture the feeling of letting loose and enjoying the simple things in life.

The Relevance of “Pontoon” Today

Nearly a decade after “Pontoon” was released, the song continues to resonate with audiences. The idea of escaping from the stresses of daily life and embracing a more carefree and laid-back way of living is something that is still incredibly relevant today.

With the COVID-19 pandemic forcing people to stay home and social distance, many have been looking for ways to safely escape and enjoy some time outdoors. Boating has seen a surge in popularity over the past year, as people look for ways to get out on the water and away from it all.

According to the National Marine Manufacturers Association, boat sales in the U.S. increased by more than 12% in 2020, with many first-time buyers entering the market. The appeal of a pontoon boat, in particular, has grown in recent years, with their versatility, comfort, and affordability making them a popular choice for recreational boaters.

“Pontoons accounted for over 30% of new boats sold on average over the past five years in the U.S.,” said Vicky Yu, Director of Business Development at Sino-American Interactive Sports, in a recent Forbes article.

As people look for ways to escape and enjoy themselves in the midst of a global pandemic, the message of “Pontoon” is perhaps more relevant than ever.

The Legacy of “Pontoon”

“Pontoon” has become an anthem for summer fun and carefree living. It has inspired countless people to head out on the water, or simply to embrace a more laid-back lifestyle.

The song has also cemented Little Big Town’s place in country music history. The group has continued to produce hits that capture the essence of everyday life, from the joy of love and family to the pain of heartbreak and loss.

“We try to write about things that we can relate to. We’re country music fans ourselves, and we love the stories that country music tells,” said Little Big Town’s Karen Fairchild in an interview with the Tennessean.

With its catchy melody, relatable lyrics, and universal message of escape and freedom, “Pontoon” has become a classic in the country music genre. It is a reminder to all of us to sometimes just let go and enjoy the simple things in life.

“Pontoon” by Little Big Town captures the essence of a carefree and relaxed lifestyle. The song’s catchy lyrics and upbeat melody have made it a summer anthem, inspiring countless people to embrace a more laid-back way of living. As we continue to navigate the challenges of the COVID-19 pandemic, the message of “Pontoon” is perhaps more relevant than ever. It is a reminder to take some time to escape from the stresses of everyday life and enjoy the simple things in life, whether that’s out on the water, or simply in your own backyard.

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Pontoon by Little Big Town

• I back this hitch up into the water Untie all the cables and rope Step onto the AstroTurf Get yourself a Koozie Let's go Who said anything about skiin'? Floatin' is all I wanna do You can climb the ladder Just don't rock the boat while I barbeque On the pontoon Makin' waves and catchin' rays up on the roof Jumpin' out the back, don't act like you don't want to Party in slow motion Out here in the open Mm, motorboatin' (Hoo hoo hoo) Reach your hand down into the cooler Don't drink it if the mountains aren't blue Try to keep it steady as you recline on your black inner tube Pontoon Makin' waves and catchin' rays up on the roof Jumpin' out the back, don't act like you don't want to Party in slow motion Out here in the open Mm, motorboatin' (Hoo hoo hoo) (Hoo hoo hoo) Five mile an hour with aluminum sides Wood panelin' with a water slide Can't beat the heat, so let's take a ride On the pontoon Makin' waves and catchin' rays up on the roof Jumpin' out the back, don't act like you don't want to Party in slow motion I'm out here in the open Mm, motorboatin' On the pontoon (Hoo hoo hoo) On the pontoon (Hoo hoo hoo) I back this hitch out into the water On the pontoon (Hoo hoo hoo) (Hoo hoo hoo) Writer/s: Barry Dean, Luke Laird, Natalie Hemby Publisher: CONCORD MUSIC PUBLISHING LLC, CTM OUTLANDER MUSIC LP, Reservoir Media Management, Inc., Sony/ATV Music Publishing LLC, Universal Music Publishing Group Lyrics licensed and provided by LyricFind
• More songs from Little Big Town
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Comments: 2

• Cb from Ca Little Big Town's song Pontoon is a track mix disaster for the bass guitar track! It fades in and out of existence at the start of the song, blurps in real quick, then fades till a little bit later in the song.
• Camille from Toronto, Oh June, 2012. I just saw this video on TV today and can tell it's gonna be a BIG hit for a group that well deserves it. They have a fabulous sound and the video is perfection. Way to go!

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Story Behind the Song: Little Big Town, ‘Pontoon’

In 2012, Little Big Town earned their very first No. 1 single with "Pontoon," the first single from their fifth studio album, Tornado . Written by Natalie Hemby, Luke Laird and Barry Dean, the song has been certified double platinum and took home Best Country Duo / Group Performance at the Grammy Awards in 2013. Below, Hemby tells The Boot about the day the song was written.

Luke Laird and I wrote a song called "Fine Tune" that Miranda Lambert cut on her  Four the Record album, and someone heard that song and though we said "pontoon." I thought that was hilarious, and I was like, "We should write this really obnoxious song called "Pontoon,"" and Luke was like, "Oh my gosh, we totally should do that."

So, some time went by, and Luke was like, "Have you met my friend Barry Dean?" and I was like, "No, I've never met Barry Dean." Literally, the first song I wrote with Barry Dean and Luke Laird, the two of them -- which, we've written several since this -- was "Pontoon" ...  Our first line originally was " Back this b---h up into the water,"  and obviously you can't say that on country radio, so eventually it was changed to "hitch."

So, we pitched this around to some people -- I know Dierks Bentley had put it on hold -- but the funniest response was from Kix Brooks : He said, "Hahaha! 'Back this b---h up into the water.'  I love it. I won't cut it, but I love it."

You know, ["Pontoon" producer] Jay [Joyce] is a friend of mine, and so is Little Big Town. I love all of them so, so much; they're the nicest people. They made the song so freaking cool, and then I got to go be out there [when they were shooting the music video]; we actually had a boat, and we pulled our boat near theirs when they were shooting "Pontoon" that day, so it was fun to get to watch that as well ...

I never knew it would get the reaction that it did. What was funny is, we'd be out on our boat, and I'd hear the song playing on all these different pontoon boats out on Percy Priest Lake, [located slightly east of Nashville]. It was so awesome to see the thing take off. Sometimes I find that it's a little surreal that that was actually the first No. 1 they ever had; the only reason I'm baffled by that is because I love so many of their other songs ...

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Little Big Town, ‘Pontoon’ – Lyrics Uncovered

The inspiration behind the lyrics to Little Big Town 's forthcoming single 'Pontoon' were a bit of a mix up, but for the band and the writers, a very, very good mix-up!  The song is the first single from the band's highly-anticipated fifth studio album, and it is already being called "the single of the summer" by many media outlets. 'Pontoon' was crafted by the amazing minds of Luke Laird, Natalie Hemby and Barry Dean.

"Natalie and I wrote a song called 'Fine Tune' for Miranda Lambert , and it's on her 'Four the Record' album," Laird tells Taste of Country. "We wrote the song, and Natalie's publisher had heard about it and asked, 'What's this song you and Luke wrote called 'Pontoon'?' And she was like, 'No, it's called 'Fine Tune.'' She was telling us that story when she and Barry and I got together to write. Then we were like, 'Well, 'Pontoon' would actually be a cool song to write!' [ laughs ]"

" Back that hitch up into the water / Untie all the cables and rope / Step onto the Astro Turf / Get yourself a koozie, let's go ," they wrote in the opening lyrics.

"We started it, and had sort of the first verse -- the first few lines," recalls Laird. "Then we didn't come back to it until several months later. We were like, 'Remember that song, 'Pontoon,' that we started? We should finish that.' It kind of stuck with all of us. So we got together another day and finished it, and of course, had a blast writing it."

" Pontoon / Makin’ waves and catchin’ rays up on the roof / Jumping off the back don’t act like you don’t want to / Party in slow motion / Out here in the open hmm, motor-boatin’ ," they wrote in the lyrics to the song's chorus.

"We knew we liked it, and a bunch of people put it on hold," notes Laird. "Little Big Town were all into it. The record label and everybody got on board with it, and it's been really exciting."

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Little Big Town Tell How They Motorboated Past the Competition: ‘Pontoons Are Sexy, People!’

Country fans do like their outdoor leisure lifestyle anthems, and while there'd been (and still are) a million songs about trucks, watercraft songs have mysteriously been in non-existent supply. How is it no one got to this particular no-brainer any sooner than Little Big Town?

"Pontoons are sexy, people!" declares Karen Fairchild, making an assertion no chart-watcher should dispute, since "Pontoon" became the country anthem of the summer.

"I think people call it 'The Motorboatin' Song,' too," points out Jimi Westbrook. "I was doing some (radio) interviews and they were like 'Yeah, they were calling it for that motorboating song.' So maybe that helped it, too," he says, alluding to the song's slightly risqué connotations.

Adds Kimberly Schlapman, "It certainly didn't hurt." Enough said. Or enough, um, suggested.

"Pontoon" is one of seven songs Little Big Town played at an exclusive Ram Country gig at the Roxy, which is now up in its entirety at Yahoo! Music. On their bus before the show, the four members of the group told us about the making of their just-released fifth album, Tornado , and its ubiquitous lead single.

A lot of country music fans were shocked a few weeks ago by the news that the platinum-selling "Pontoon" had become Little Big Town's first No. 1 single. Not because anyone would have expected any lesser chart position for the song that became a summer phenomenon… but shocked because it was difficult to believe that their previous "signature song," "Boondocks," never reached the top when it came out in 2005, even though that classic's ongoing radio play would make anyone think that'd been a No. 1.

"It only went to No. 8 or 9 or something like that," points out Schlapman. She's right: "Boondocks" peaked at No. 9, shockingly. "But a lot of people think it was a No. 1, which is fine with us, because it was a big ole hit."

"We don't correct 'em," laughs Westbrook. "It's been the song that has taken us to the party..."

"And now with 'Pontoon,' it's given us another big song that people just light up about. When we start the first lick in the beginning of the song, the crowd just goes crazy. And that's a testament to them hearing it a lot ."

"I don't think we've ever been sure we would have a No. 1," Westbrook says, but "after we cut the track, our producer at one point kind of joked when he said, 'That sounds like a big hit just ready to pick off the hit tree!'"

Although "Pontoon" has an ever-so-racy feel to it, the most sensual track from their current crop is "Tornado," as you'll see from Fairchild's sexy reading of the track in the band's Roxy performance. That one may or may not be a future single, but there was a different reason they made it the title track.

"The album being titled Tornado I think is just reflective of the process we went through recording it," Westbrook says. "And, too, there was like a storm brewing—a good storm brewing—in our camp of positive changes. And we did the record so fast, really, that it felt like a storm that came and went and it was gone. It was such a really interesting process—new for us."

The album was done in "three weeks, top to bottom," says Fairchild, "but most of it in seven days." "Which for us is unheard of," adds Schlapman. "We rehearsed for four days really hard, then for the next three days we cut the record. At the end of seven days, we couldn't believe we might be done! Crazy." Says Schlapman, "We didn't plan on doing it that quick. We allowed a lot of time. But it was going so well that we decided that we shouldn't belabor things, and should just go with it when it felt right, and go with our gut and Jay (Joyce)'s gut, our producer. And it worked, so we were like, 'Hmm, we're done, I think!'"

Working with a producer other than their long-time helmer Wayne Kirkpatrick was one switch. Working fast was another. A third change: "Our live band played on this record with us," Philip West points out. "We've done that on a couple of songs before, but not the entire album. We all cut it at the same time, right there in the same room. For me personally, I feel like I feel that energy that we were experiencing as it was going down. It was just like playing a live show."

And a fourth big switch on Tornado : help from a plethora of big-name Music Row songwriters, including Natalie Hemby, Luke Laird, Liz Rose, and the Warren Brothers. The band members did co-wrote five of the 11 tracks on Tornado , but that's fewer than on any of their previous four albums. Obviously that approach has paid off, as "Pontoon," for one, was an outside pick.

Their approach going in to recording the new album was "just that we were gonna be wide open about songs, and we weren't gonna have ego or be too precious about anything," Fairchild says. "It didn't matter where the song was going to come from. It just had to feel right and then we were gonna cut it. We always try to write most of the material for a record, but we just let ourselves be open this time. And we started building the record from songs that we found—which is unusual."

Fairchild points out that "after we started writing with people that we'd never written with before, Natalie (Hemby) came in with this amazing idea of doing something that we had never done before, which is kind of duets within the band. So 'Night Owl' is the song that we wrote that day. That was her melodic idea, to have the guys sing and then Kimberly and I sing and never really join until we got to the bridge... We just got really inspired by the community and being so wide open ourselves, personally. I think you can hear that on our record. There's an energy there and some spontaneity there that's been good for us."

The most striking use of the duet form on Tornado is the bittersweet ballad "On Your Side of the Bed," which all four band members co-wrote with Americana fave Lori McKenna. It's sung as a back-and-forth by Fairchild and Westbrook.

"I love that moment on the record and in the live show," says Schlapman, "because Karen and Jimi are married, of course. That's not an autobiographical story of their lives, but I think everybody can identity with that point in a relationship where you're going 'Hey, here I am! I'm over here!' It's beautiful. And that chorus, which is just a cry out for help, when we get there every night, it's such an emotional thing."

Schlapman has previous described the band, which has been together for 13 years, as "like an old married couple." Don't they know that sounds a little bit mathematically improbable?

"It does," Schlapman laughs, "but we all know exactly what that means. We've been together so long, we're a family—that might be a better way of saying it."

"An old happily married couple," clarifies Fairchild.

"Yeah, we are a living, breathing country song, aren't we?" Westbrook wonders aloud.

"But we can read each other's minds, almost," Schlapman says. "We really don't have to speak a whole lot, especially Karen and I."

"The girls are scary," Westbrook says.

"We can literally talk to each other without saying a word at this point," Fairchild says. "One night when I got really hoarse on tour recently, I lost my voice, and I was trying to make it through the show for the fans. And I wanted her to help me go for this big note with me. So I just turned around, and she was up on this riser playing tambourine, and I thought 'Oh dear God, please help me,' and she did. We just did it together. I couldn't really tell her what I was wanting to verbalize, so I just looked at her like 'Are you understanding what's going on here,' and she gave me that 'I get it—I know what you're saying' look. So, yeah, that's the beautiful thing about having a longtime girlfriend."

"It's a little freaky," says Sweet.

"Even for the two of us, we're still outside of that," admits Westbrook. "I don't know how that works."

The band has been together for 13 years, but Fairchild and Schlapman have been friends for 25 years. Does that mean the two guys are still always perpetually 12 years behind, somehow?

"But isn't that always how guys are?" asks Schlapman.

"They pay attention if you say things like motorboatin' ," says Fairchild. "You know what I mean. All of a sudden they go, what?"

"Yeah, when those superpowers are used against us, we don't have a chance," Westbrook admits. "Bottom line."

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Behind the Song: Little Big Town, “Pontoon”

Doug Waterman

Updated: 

Videos by American Songwriter

Written by: Barry Dean , Natalie Hemby, Luke Laird Recorded by: Little Big Town Peak Chart Position: No. 1 Billboard Country

What’s a typical day like in the life of Barry Dean? 

Dean : They’re probably like most people — busy, I have four kids. I write almost every day. Then you’re finishing songs up or you’re in the studio finishing and recording songs. You’re always trying to read and experiment with new sounds and grooves to create the next thing. It’s an “all in” sort of career.

When and where did you, Natalie and Luke write “Pontoon?”

It was started in a writing room at Universal Music, but we didn’t get very far. First verse, a few lines of chorus, but the music was clear. It was months later before the three of us got back together because our calendars were crazy. We met at Luke’s office and it was right around the time Natalie was going to have her baby. We got together for a few hours, finished the chorus first, then wrote the second verse and bridge. They were both fun days.

How much or how little did you edit it, during or afterward? Were there any phrases or words you can remember that were especially tough to make a final decision on?

There wasn’t a whole lot of editing afterward. The notable change was that the original first line was “back that bitch up into the water” which got changed to hitch. I don’t think we saw the motorboatin’ line as big a deal as it became. We just thought it was fun.

Could you tell us some of the back story of the song? Did you guys demo it or simply worktape it? How did it end up getting to Little Big Town, getting cut and becoming the single?

It was the first time the three of us had written together. We had each written with the other, but we were excited to get to write together. Natalie and Luke had a song recorded by Miranda Lambert called “Fine Tune.” Natalie was telling us a story about a guy who mistakenly referred to “Fine Tune” as “Pontoon.” When she said that, Luke and I looked at each other, then we all knew. Luke started playing the groove. I started playing bass on a synth. Pretty soon Natalie sang the first line of the song. When we got back together to finish it – which was really writing it — we used the same track we’d started. It was essentially a drum groove, electric guitars, and a bass line. Natalie who was quite pregnant sat on the couch, held an SM58 and sang it once, and that was the work tape.

Luke and I were both signed to Universal and they pitched it to a couple of artists. We both became a part of Creative Nation. Even though Universal owns the song, Beth Laird (co-owner of Creative Nation) thought it would be great for Little Big Town and she pitched it. As far as the cut and the single, you can’t overestimate how great Little Big Town actually is. They did that whole Tornado album in a couple of weeks. It’s incredible. Jay Joyce’s production is incredible. It sounded different and fresh. Also, the opening lick was played by Jedd Hughes on the mandolin and Jay Joyce doubled it with a mellotron mandolin sample. That lick is incredible.

What do you enjoy most about writing songs in general?

I love coming up with or finding that inspiration for the song. I love helping artists say what they want to say or find that fresh thing they’re looking for. I see myself as some sort of extension of or part of their team. I’m on their side. Hopefully I’m helping them answer “what could it be?” or get where they want to go. It’s a great blessing to have this job. I work mostly with friends, and we have a lot of fun. It’s a lot of hours, but it’s worth it. I like going out on the road and writing with artists in their world with their fans.

What was the overall experience like, collaborating with Natalie and Luke?

The three of us are a great team. We try to write together as much as possible. Luke is pretty well known for being a whole lot of fun, and if the three of us are together, there’s a lot of laughing going on. Our interactions are a lot like brothers and sisters in every good way. I think Natalie is known for having really strong concepts and she’s driven to write these very air-tight songs. And her vocals… she just brings groove and emotion (you should ask Luke and Natalie what I do). Really in that atmosphere you’re trying to do something interesting and different. Fresh. And we all kind of believe if there’s a way to do it we can figure it out.

Do you have any words of wisdom or advice for aspiring or newly professional songwriters? Is there a particular period or moment in your career when you were faced with adversity or doubt and had to dig deep to stay the course? 

My mentor used to say “creativity is an act of courage.” So the whole journey is about continuing to learn and push yourself and being open. I think it’s important to remember that this is supposed to be fun. I think in the race to learn the craft and study the business, I would just remind you to have fun. It’ll connect you more to the music and ideas. It’ll be fresher, and that will lead to good things.

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Decoding Little Big Town’s Song “Pontoon”: What Does “Don’t Drink It If The Mountains Aren’t Blue” Mean?

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Every summer needs a country anthem, and it appears that the summer of 2012's country theme song is Little Big Town's "Pontoon". Love it or hate it - you might have listened to it and wondered: "what do they mean by "don't drink it if the mountains aren't blue""?

That (somewhat) obscure song lyric refers to Coors Light - and their color-changing mountains. A marketing gimmick that Coors first debuted in 2007, an ingenuous color-changing ink makes the white mountains on the can turn to blue when the beer inside reached 39 degrees Fahrenheit - allowing consumers to know when their beverage is chilled to perfection.

Pontoon? Cold beer? Sounds like summer.

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"Pontoon" lyrics

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Little Big Town Pontoon (Music Video and Lyrics)

by steve ‐ September 13, 2023

photo: YouTube

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The Little Big Town Pontoon song was released in April 2012 as the first single from their fifth studio album,  Tornado .   This song became the first Little Big Town tune to reach #1 on the Billboard Country Music chart starting September 15, 2012.   Watch the music video and check out the lyrics to the song below.

Little Big Town Pontoon Music Video

The lyrics to Pontoon were written by  Natalie Hemby ,  Luke Laird  and  Barry Dean .

Little Big Town Pontoon Lyrics

Back this hitch up into the water Untie all the cables and rope Step onto the astro turf Get yourself a coozie Let’s go

Who said anything about skiin’? Floatin’ is all I wanna do You can climb the ladder Just don’t rock the boat while I barbeque

On the pontoon Makin’ waves and catchin’ rays up on the roof Jumpin’ out the back, don’t act like you don’t want to Party in slow motion Out here in the open Mmmmmmm…motorboatin’ (Hoo hoo hoo) Reach your hand down into the cooler Don’t drink it if the mountains aren’t blue Try to keep it steady as you recline on your black inner tube Pontoon Makin’ waves and catchin’ rays up on the roof Jumpin’ out the back, don’t act like you don’t want to Party in slow motion Out here in the open Mmmmmm…motorboatin’ (Hoo hoo hoo) (Hoo hoo hoo) 5 mile an hour with aluminum side Wood panelin’ with a water slide Can’t beat the heat, so let’s take a ride On the pontoon Makin’ waves and catchin’ rays up on the roof Jumpin’ out the back, don’t act like you don’t want to Party in slow motion I’m out here in the open Mmmmmmm…motorboatin’ On the pontoon (Hoo hoo hoo) On the pontoon (Hoo hoo hoo) Back this hitch out into the water On the pontoon (Hoo hoo hoo) (Hoo hoo hoo)

The music video and lyrics should put you in a great mood for summer!

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Pontoon Lyrics

LITTLE BIG TOWN

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Pontoon lyrics.

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first one...hehe...they are talking about enjoing on a flat boat