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Top 50 Yacht Rock Songs
Yacht rock was one of the most commercially successful genres to emerge from the '70s and yet has managed to evade concise definition since its inception. For many listeners, it boils down to a feeling or mood that cannot be found in other kinds of music: Simply put, you know it when you hear it.
Some agreed-upon elements are crucial to yacht rock. One is its fluidity, with more emphasis on a catchy, easy-feeling melody than on beat or rhythm. Another is a generally lighthearted attitude in the lyrics. Think Seals & Crofts ' "Summer Breeze," Christopher Cross ' "Ride Like the Wind" or Bill Withers ' "Just the Two of Us." Yes, as its label suggests, music that would fit perfectly being played from the deck of a luxurious boat on the high seas.
But even these roughly outlined "rules" can be flouted and still considered yacht rock. Plenty of bands that are typically deemed "nyacht" rock have made their attempts at the genre: Crosby, Stills & Nash got a bit nautical with "Southern Cross," leading with their famed tightly knit harmonies, and Fleetwood Mac also entered yacht rock territory with "Dreams" – which, although lyrically dour, offers a sense of melody in line with yacht rock.
Given its undefined parameters, the genre has become one of music's most expansive corners. From No. 1 hits to deeper-cut gems, we've compiled a list of 50 Top Yacht Rock Songs to set sail to below.
50. "Thunder Island," Jay Ferguson (1978)
Younger generations might be more apt to recognize Jay Ferguson from his score for NBC's The Office , where he also portrayed the guitarist in Kevin Malone's band Scrantonicity. But Ferguson's musical roots go back to the '60s band Spirit; he was also in a group with one of the future members of Firefall, signaling a '70s-era shift toward yacht rock and "Thunder Island." The once-ubiquitous single began its steady ascent in October 1977 before reaching the Top 10 in April of the following year. Producer Bill Szymczyk helped it get there by bringing in his buddy Joe Walsh for a soaring turn on the slide. The best showing Ferguson had after this, however, was the quickly forgotten 1979 Top 40 hit "Shakedown Cruise." (Nick DeRiso)
49. "Southern Cross," Crosby, Stills & Nash (1982)
CSN's "Southern Cross" was an example of a more literal interpretation of yacht rock, one in which leftover material was revitalized by Stephen Stills . He sped up the tempo of a song titled " Seven League Boots " originally penned by brothers Rick and Michael Curtis, then laid in new lyrics about, yes, an actual boat ride. "I rewrote a new set of words and added a different chorus, a story about a long boat trip I took after my divorce," Stills said in the liner notes to 1991's CSN box. "It's about using the power of the universe to heal your wounds." The music video for the song, which went into heavy rotation on MTV, also prominently displayed the band members aboard a large vessel. (Allison Rapp)
48. "Jackie Blue," the Ozark Mountain Daredevils (1974)
Drummer Larry Lee only had a rough idea of what he wanted to do with "Jackie Blue," originally naming it after a bartending dope pusher. For a long time, the Ozark Mountain Daredevils' best-known single remained an instrumental with the place-keeper lyric, " Ooh, ooh, ooh, ooh Jackie Blue. He was dada, and dada doo. He did this, he did that ... ." Producer Glyn Johns, who loved the track, made a key suggestion – and everything finally snapped into place: "No, no, no, mate," Johns told them. "Jackie Blue has to be a girl." They "knocked some new lyrics out in about 30 minutes," Lee said in It Shined: The Saga of the Ozark Mountain Daredevils . "[From] some drugged-out guy, we changed Jackie into a reclusive girl." She'd go all the way to No. 3. (DeRiso)
47. "Sailing," Christopher Cross (1979)
You’d be hard-pressed to find a more quintessential yacht rock song than “Sailing.” The second single (and first chart-topper) off Christopher Cross’ 1979 self-titled debut offers an intoxicating combination of dreamy strings, singsong vocals and shimmering, open-tuned guitar arpeggios that pay deference to Cross’ songwriting idol, Joni Mitchell . “These tunings, like Joni used to say, they get you in this sort of trance,” Cross told Songfacts in 2013. “The chorus just sort of came out. … So I got up and wandered around the apartment just thinking, ‘Wow, that's pretty fuckin' great.’” Grammy voters agreed: “Sailing” won Record of the Year, Song of the Year and Best Arrangement at the 1981 awards. (Bryan Rolli)
46. "Just the Two of Us," Bill Withers and Grover Washington Jr. (1980)
A collaboration between singer Bill Withers and saxophonist Grover Washington Jr. resulted in the sleek "Just the Two of Us." When first approached with the song, Withers insisted on reworking the lyrics. "I'm a little snobbish about words," he said in 2004 . "I said, 'Yeah, if you'll let me go in and try to dress these words up a little bit.' Everybody that knows me is kind of used to me that way. I probably threw in the stuff like the crystal raindrops. The 'Just the Two of Us' thing was already written. It was trying to put a tuxedo on it." The track was completed with some peppy backing vocals and a subtle slap bass part. (Rapp)
45. "Sara Smile," Daryl Hall & John Oates (1975)
It doesn't get much smoother than "Sara Smile," Daryl Hall & John Oates ' first Top 10 hit in the U.S. The song was written for Sara Allen, Hall's longtime girlfriend, whom he had met when she was working as a flight attendant. His lead vocal, which was recorded live, is clear as a bell on top of a velvety bass line and polished backing vocals that nodded to the group's R&B influences. “It was a song that came completely out of my heart," Hall said in 2018 . "It was a postcard. It’s short and sweet and to the point." Hall and Allen stayed together for almost 30 years before breaking up in 2001. (Rapp)
44. "Rosanna," Toto (1982)
One of the most identifiable hits of 1982 was written by Toto co-founder David Paich – but wasn't about Rosanna Arquette, as some people have claimed, even though keyboardist Steve Porcaro was dating the actress at the time. The backbeat laid down by drummer Jeff Porcaro – a "half-time shuffle" similar to what John Bonham played on " Fool in the Rain " – propels the track, while vocal harmonies and emphatic brass sections add further layers. The result is an infectious and uplifting groove – yacht rock at its finest. (Corey Irwin)
43. "Diamond Girl," Seals & Crofts (1973)
Seals & Crofts were soft-rock stylists with imagination, dolling up their saccharine melodies with enough musical intrigue to survive beyond the seemingly obvious shelf life. Granted, the lyrics to “Diamond Girl,” one of the duo’s three No. 6 hits, are as sterile as a surgery-operating room, built on pseudo-romantic nothing-isms ( “Now that I’ve found you, it’s around you that I am” — what a perfectly natural phrase!). But boy, oh boy does that groove sound luxurious beaming out of a hi-fi system, with every nuance — those stacked backing vocals, that snapping piano — presented in full analog glory. (Ryan Reed)
42. "What You Won't Do for Love," Bobby Caldwell (1978)
Smooth. From the opening horn riffs and the soulful keyboard to the funk bass and the velvety vocals of Bobby Caldwell, everything about “What You Won’t Do for Love” is smooth. Released in September 1978, the track peaked at No. 9 on the Billboard Hot 100 and went on to become the biggest hit of Caldwell’s career. It was later given a second life after being sampled for rapper 2Pac's posthumously released 1998 hit single “Do for Love.” (Irwin)
41. "We Just Disagree," Dave Mason (1977)
Dave Mason's ace in the hole on the No. 12 smash "We Just Disagree" was Jim Krueger, who composed the track, shared the harmony vocal and played that lovely guitar figure. "It was a song that when he sang it to me, it was like, 'Yeah, that's the song,'" Mason told Greg Prato in 2014. "Just him and a guitar, which is usually how I judge whether I'm going to do something. If it holds up like that, I'll put the rest of the icing on it." Unfortunately, the multitalented Krueger died of pancreatic cancer at age 43. By then, Mason had disappeared from the top of the charts, never getting higher than No. 39 again. (DeRiso)
40. "Crazy Love," Poco (1978)
Rusty Young was paneling a wall when inspiration struck. He'd long toiled in the shadow of Stephen Stills , Richie Furay and Neil Young , serving in an instrumentalist role with Buffalo Springfield and then Poco . "Crazy Love" was his breakout moment, and he knew it. Rusty Young presented the song before he'd even finished the lyric, but his Poco bandmates loved the way the stopgap words harmonized. "I told the others, 'Don't worry about the ' ooh, ooh, ahhhh haaa ' part. I can find words for that," Young told the St. Louis Dispatch in 2013. "And they said, 'Don't do that. That's the way it's supposed to be.'" It was: Young's first big vocal became his group's only Top 20 hit. (DeRiso)
39. "Suspicions," Eddie Rabbitt (1979)
Eddie Rabbitt 's move from country to crossover stardom was hurtled along by "Suspicions," as a song about a cuckold's worry rose to the Top 20 on both the pop and adult-contemporary charts. Behind the scenes, there was an even clearer connection to yacht rock: Co-writer Even Stevens said Toto's David Hungate played bass on the date. As important as it was for his career, Rabbitt later admitted that he scratched out "Suspicions" in a matter of minutes, while on a lunch break in the studio on the last day of recording his fifth album at Wally Heider's Los Angeles studio. "Sometimes," Rabbitt told the Associated Press in 1985, "the words just fall out of my mouth." (DeRiso)
38. "Moonlight Feels Right," Starbuck (1976)
No sound in rock history is more yacht friendly than Bruce Blackman’s laugh: hilarious, arbitrary, smug, speckled with vocal fry, arriving just before each chorus of Starbuck’s signature tune. Why is this human being laughing? Shrug. Guess the glow of night will do that to you. Then again, this is one of the more strange hits of the '70s — soft-pop hooks frolicking among waves of marimba and synthesizers that could have been plucked from a classic prog epic. “ The eastern moon looks ready for a wet kiss ,” Blackman croons, “ to make the tide rise again .” It’s a lunar make-out session, baby. (Reed)
37. "Same Old Lang Syne," Dan Fogelberg (1981)
“Same Old Lang Syne” is a masterclass in economic storytelling, and its tragedy is in the things both protagonists leave unsaid. Dan Fogelberg weaves a devastating tale of two former lovers who run into each other at a grocery store on Christmas Eve and spend the rest of the night catching up and reminiscing. Their circumstances have changed — he’s a disillusioned professional musician, she’s stuck in an unhappy marriage — but their love for each other is still palpable if only they could overcome their fears and say it out loud. They don’t, of course, and when Fogelberg bids his high-school flame adieu, he’s left with only his bittersweet memories and gnawing sense of unfulfillment to keep him warm on that snowy (and later rainy) December night. (Rolli)
36. "Eye in the Sky," the Alan Parsons Project (1982)
Few songs strike a chord with both prog nerds and soft-rock enthusiasts, but the Alan Parsons Project's “Eye in the Sky” belongs to that exclusive club. The arrangement is all smooth contours and pillowy textures: By the time Eric Woolfson reaches the chorus, shyly emoting about romantic deception over a bed of Wurlitzer keys and palm-muted riffs, the effect is like falling slow motion down a waterfall onto a memory foam mattress. But there’s artfulness here, too, from Ian Bairnson’s seductive guitar solo to the titular phrase conjuring some kind of god-like omniscience. (Reed)
35. "Somebody's Baby," Jackson Browne (1982)
Jackson Browne 's highest-charting single, and his last Top 10 hit, was originally tucked away on the soundtrack for the 1982 teen comedy Fast Times at Ridgemont High . That placed Browne, one of the most earnest of singer-songwriters, firmly out of his element. "It was not typical of what Jackson writes at all, that song," co-composer Danny Kortchmar told Songfacts in 2013. "But because it was for this movie, he changed his general approach and came up with this fantastic song." Still unsure of how it would fit in, Browne refused to place "Somebody's Baby" on his next proper album – something he'd later come to regret . Lawyers in Love broke a string of consecutive multiplatinum releases dating back to 1976. (DeRiso)
34. "Still the One," Orleans (1976)
Part of yacht rock’s charm is being many things but only to a small degree. Songs can be jazzy, but not experimental. Brass sections are great but don’t get too funky. And the songs should rock, but not rock . In that mold comes Orleans’ 1976 hit “Still the One.” On top of a chugging groove, frontman John Hall sings about a romance that continues to stand the test of time. This love isn’t the white-hot flame that leaves passionate lovers burned – more like a soft, medium-level heat that keeps things comfortably warm. The tune is inoffensive, catchy and fun, aka yacht-rock gold. (Irwin)
33. "New Frontier," Donald Fagen (1982)
In which an awkward young man attempts to spark a Cold War-era fling — then, hopefully, a longer, post-apocalyptic relationship — via bomb shelter bunker, chatting up a “big blond” with starlet looks and a soft spot for Dave Brubeck. Few songwriters could pull off a lyrical concept so specific, and almost no one but Donald Fagen could render it catchy. “New Frontier,” a signature solo cut from the Steely Dan maestro, builds the sleek jazz-funk of Gaucho into a more digital-sounding landscape, with Fagen stacking precise vocal harmonies over synth buzz and bent-note guitar leads. (Reed)
32. "Sail On, Sailor," the Beach Boys (1973)
The Beach Boys were reworking a new album when Van Dyke Parks handed them this updated version of an unfinished Brian Wilson song. All that was left was to hand the mic over to Blondie Chaplin for his greatest-ever Beach Boys moment. They released "Sail On, Sailor" twice, however, and this yearning groover somehow barely cracked the Top 50. Chaplin was soon out of the band, too. It's a shame. "Sail On, Sailor" remains the best example of how the Beach Boys' elemental style might have kept growing. Instead, Chaplin went on to collaborate with the Band , Gene Clark of the Byrds and the Rolling Stones – while the Beach Boys settled into a lengthy tenure as a jukebox band. (DeRiso)
31. "Time Passages," Al Stewart (1978)
Al Stewart followed up the first hit single of his decade-long career – 1976's "Year of the Cat" – with a more streamlined take two years later. "Time Passages" bears a similar structure to the earlier track, including a Phil Kenzie sax solo and production by Alan Parsons. While both songs' respective album and single versions coincidentally run the same time, the 1978 hit's narrative wasn't as convoluted and fit more squarely into pop radio playlists. "Time Passages" became Stewart's highest-charting single, reaching No. 7 – while "Year of the Cat" had stalled at No. 8. (Michael Gallucci)
30. "I Go Crazy," Paul Davis (1977)
Paul Davis looked like he belonged in the Allman Brothers Band , but his soft, soulful voice took him in a different direction. The slow-burning nature of his breakthrough single "I Go Crazy" was reflected in its chart performance: For years the song held the record for the most weeks spent on the chart, peaking at No. 7 during its 40-week run. Davis, who died in 2008, took five more songs into the Top 40 after 1977, but "I Go Crazy" is his masterpiece – a wistful and melancholic look back at lost love backed by spare, brokenhearted verses. (Gallucci)
29. "Biggest Part of Me," Ambrosia (1980)
Songwriter David Pack taped the original demo of this song on a reel-to-reel when everyone else was running late, finishing just in time: "I was waiting for my family to get in the car so I could go to a Fourth of July celebration in Malibu," he told the Tennessean in 2014. "I turned off my machine [and] heard the car horn honking for me." Still, Pack was worried that the hastily written first verse – which rhymed " arisin ,'" " horizon " and " realizin '" – might come off a little corny. So he followed the time-honored yacht-rock tradition of calling in Michael McDonald to sing heartfelt background vocals. Result: a Top 5 hit on both the pop and adult-contemporary charts. (DeRiso)
28. "Africa," Toto (1982)
Remove the cover versions, the nostalgia sheen and its overuse in TV and films, and you’re left with what makes “Africa” great: one of the best earworm choruses in music history. Never mind that the band is made up of white guys from Los Angeles who'd never visited the titular continent. Verses about Mt. Kilimanjaro and the Serengeti paint a picture so vivid that listeners are swept away. From the soaring vocals to the stirring synth line, every element of the song works perfectly. There’s a reason generations of music fans continue to proudly bless the rains. (Irwin)
27. "Hello It's Me," Todd Rundgren (1972)
“Hello It’s Me” is the first song Todd Rundgren ever wrote, recorded by his band Nazz and released in 1968. He quickened the tempo, spruced up the instrumentation and delivered a more urgent vocal for this 1972 solo rendition (which became a Top 5 U.S. hit), but the bones of the tune remain the same. “Hello It’s Me” is a wistful, bittersweet song about the dissolution of a relationship between two people who still very much love and respect each other a clear-eyed breakup ballad lacking the guile, cynicism and zaniness of Rundgren’s later work. “The reason those [early] songs succeeded was because of their derivative nature,” Rundgren told Guitar World in 2021. “They plugged so easily into audience expectations. They’re easily absorbed.” That may be so, but there’s still no denying the airtight hooks and melancholy beauty of “Hello It’s Me.” (Rolli)
26. "Smoke From a Distant Fire," the Sanford/Townsend Band (1977)
There are other artists who better define yacht rock - Michael McDonald, Steely Dan, Christopher Cross - but few songs rival the Sanford/Townsend Band's "Smoke From a Distant Fire" as a more representative genre track. (It was a Top 10 hit in the summer of 1977. The duo never had another charting single.) From the vaguely swinging rhythm and roaring saxophone riff to the light percussion rolls and risk-free vocals (that nod heavily to Daryl Hall and John Oates' blue-eyed soul), "Smoke" may be the most definitive yacht rock song ever recorded. We may even go as far as to say it's ground zero. (Gallucci)
25. "Dream Weaver," Gary Wright (1975)
Unlike many other songs on our list, “Dream Weaver” lacks lush instrumentation. Aside from Gary Wright’s vocals and keyboard parts, the only added layer is the drumming of Jim Keltner. But while the track may not have guitars, bass or horns, it certainly has plenty of vibes. Inspired by the writings of Paramahansa Yogananda – which Wright was turned on to by George Harrison – “Dream Weaver” boasts a celestial aura that helped the song peak at No. 2 in 1976. (Irwin)
24. "Reminiscing," Little River Band (1978)
The third time was the charm with Little River Band 's highest-charting single in the U.S. Guitarist Graeham Goble wrote "Reminiscing" for singer Glenn Shorrock with a certain keyboardist in mind. Unfortunately, they weren't able to schedule a session with Peter Jones, who'd played an important role in Little River Band's first-ever charting U.S. single, 1976's "It's a Long Way There ." They tried it anyway but didn't care for the track. They tried again, with the same results. "The band was losing interest in the song," Goble later told Chuck Miller . "Just before the album was finished, Peter Jones came back into town, [and] the band and I had an argument because I wanted to give 'Reminiscing' a third chance." This time they nailed it. (DeRiso)
23. "Heart Hotels," Dan Fogelberg (1979)
Ironically enough, this song about debilitating loneliness arrived on an album in which Dan Fogelberg played almost all of the instruments himself. A key concession to the outside world became the most distinctive musical element on "Heart Hotels," as well-known saxophonist Tom Scott took a turn on the Lyricon – a pre-MIDI electronic wind instrument invented just a few years earlier. As for the meaning of sad songs like these, the late Fogelberg once said : "I feel experiences deeply, and I have an outlet, a place where I can translate those feelings. A lot of people go to psychoanalysts. I write songs." (DeRiso)
22. "Year of the Cat," Al Stewart (1976)
Just about every instrument imaginable can be heard in Al Stewart's "Year of the Cat." What begins with an elegant piano intro winds its way through a string section and a sultry sax solo, then to a passionate few moments with a Spanish acoustic guitar. The sax solo, often a hallmark of yacht-rock songs, was not Stewart's idea. Producer Alan Parsons suggested it at the last minute, and Stewart thought it was the "worst idea I'd ever heard. I said, 'Alan, there aren’t any saxophones in folk-rock. Folk-rock is about guitars. Sax is a jazz instrument,'" Stewart said in 2021 . Multiple lengthy instrumental segments bring the song to nearly seven minutes, yet each seems to blend into the next like a carefully arranged orchestra. (Rapp)
21. "How Long," Ace (1974)
How long does it take to top the charts? For the Paul Carrack-fronted Ace: 45 years . "I wrote the lyric on the bus going to my future mother-in-law's," he later told Gary James . "I wrote it on the back of that bus ticket. That's my excuse for there only being one verse." Ace released "How Long" in 1975, reaching No. 3, then Carrack moved on to stints with Squeeze and Mike and the Mechanics . Finally, in 2020, "How Long" rose two spots higher, hitting No. 1 on Billboard's rock digital song sales chart after being featured in an Amazon Prime advertisement titled "Binge Cheat." (DeRiso)
20. "Brandy (You're a Fine Girl)," Looking Glass (1972)
Like "Summer Breeze" (found later in our list of Top 50 Yacht Rock Songs), Looking Glass' tale of an alluring barmaid in a busy harbor town pre-dates the classic yacht-rock era. Consider acts like Seals & Crofts and these one-hit wonders pioneers of the genre. Ironically, the effortless-sounding "Brandy (You're a Fine Girl)" was quite difficult to complete. "We recorded 'Brandy' two or three different times with various producers before we got it right," Looking Glass' principal songwriter Elliot Lurie told the Tennessean in 2016. The chart-topping results became so popular so fast, however, that Barry Manilow had to change the title of a new song he was working on to " Mandy ." (DeRiso)
19. "I Can't Tell You Why," Eagles (1979)
Timothy B. Schmit joined just in time to watch the Eagles disintegrate. But things couldn't have started in a better place for the former Poco member. He arrived with the makings of his first showcase moment with the group, an unfinished scrap that would become the No. 8 hit "I Can't Tell You Why." For a moment, often-contentious band members rallied around the outsider. Don Henley and Glenn Frey both made key contributions, as Eagles completed the initial song on what would become 1979's The Long Run . Schmit felt like he had a reason to be optimistic. Instead, Eagles released the LP and then promptly split up. (DeRiso)
18. "Sentimental Lady," Bob Welch (1977)
Bob Welch first recorded "Sentimental Lady" in 1972 as a member of Fleetwood Mac . Five years later, after separating from a band that had gone on to way bigger things , Welch revisited one of his best songs and got two former bandmates who appeared on the original version – Mick Fleetwood and Christine McVie – to help out (new Mac member Lindsey Buckingham also makes an appearance). This is the better version, warmer and more inviting, and it reached the Top 10. (Gallucci)
17. "So Into You," Atlanta Rhythm Section (1976)
Atlanta Rhythm Section is often wrongly categorized as a Southern rock band, simply because of their roots in Doraville, Ga. Songs like the seductively layered "So Into You" illustrate how little they had in common with the likes of Lynyrd Skynyrd . As renowned Muscle Shoals sessions ace David Hood once said, they're more like the " Steely Dan of the South ." Unfortunately, time hasn't been kind to the group. Two of this best-charting single's writers have since died , while keyboardist Dean Daughtry retired in 2019 as Atlanta Rhythm Section's last constant member. (DeRiso)
16. "Dreams," Fleetwood Mac (1977)
Stevie Nicks was trying to channel the heartbreak she endured after separating from Lindsey Buckingham into a song, but couldn't concentrate among the bustle of Fleetwood Mac's sessions for Rumours . "I was kind of wandering around the studio," she later told Yahoo! , "looking for somewhere I could curl up with my Fender Rhodes and my lyrics and a little cassette tape recorder." That's when she ran into a studio assistant who led her to a quieter, previously unseen area at Sausalito's Record Plant. The circular space was surrounded by keyboards and recording equipment, with a half-moon bed in black-and-red velvet to one side. She settled in, completing "Dreams" in less than half an hour, but not before asking the helpful aide one pressing question: "I said, 'What is this?' And he said, 'This is Sly Stone 's studio.'" (DeRiso)
15. "Minute by Minute," the Doobie Brothers (1978)
Michael McDonald was so unsure of this album that he nervously previewed it for a friend. "I mean, all the tunes have merit, but I don't know if they hang together as a record," McDonald later told UCR. "He looked at me and he said, 'This is a piece of shit.'" Record buyers disagreed, making Minute by Minute the Doobie Brothers' first chart-topping multiplatinum release. Such was the mania surrounding this satiny-smooth LP that the No. 14 hit title track lost out on song-of-the-year honors at the Grammys to "What a Fool Believes" (found later in our list of Top 50 Yacht Rock Songs) by the Doobie Brothers. (DeRiso)
14. "Lonely Boy," Andrew Gold (1976)
Andrew Gold’s only Top 10 U.S. hit is a story of parental neglect and simmering resentment, but those pitch-black details are easy to miss when couched inside such a deliciously upbeat melody. Gold chronicles the childhood of the titular lonely boy over a propulsive, syncopated piano figure, detailing the betrayal he felt when his parents presented him with a sister two years his junior. When he turns 18, the lonely boy ships off to college and leaves his family behind, while his sister gets married and has a son of her own — oblivious to the fact that she’s repeating the mistakes of her parents. Gold insisted “Lonely Boy” wasn’t autobiographical, despite the details in the song matching up with his own life. In any case, you can’t help but wonder what kind of imagination produces such dark, compelling fiction. (Rolli)
13. "Baby Come Back," Player (1977)
Liverpool native Peter Beckett moved to the States, originally to join a forgotten act called Skyband. By the time he regrouped to found Player with American J.C. Crowley, Beckett's wife had returned to England. Turns out Crowley was going through a breakup, too, and the Beckett-sung "Baby Come Back" was born. "So it was a genuine song, a genuine lyric – and I think that comes across in the song," Beckett said in The Yacht Rock Book . "That's why it was so popular." The demo earned Player a hastily signed record deal, meaning Beckett and Crowley had to assemble a band even as "Baby Come Back" rose to No. 1. Their debut album was released before Player had ever appeared in concert. (DeRiso)
12. "I'd Really Love to See You Tonight," England Dan & John Ford Coley (1976)
There aren't too many songs with choruses as big as the one England Dan & John Ford Coley pump into the key lines of their first Top 40 single. Getting there is half the fun: The conversational verses – " Hello, yeah, it's been a while / Not much, how 'bout you? / I'm not sure why I called / I guess I really just wanted to talk to you " – build into the superpowered come-on line " I'm not talking 'bout moving in ... ." Their yacht-rock pedigree is strong: Dan Seals' older brother is Seals & Croft's Jim Seals. (Gallucci)
11. "Hey Nineteen," Steely Dan (1980)
At least on the surface, “Hey Nineteen” is one of Steely Dan’s least ambiguous songs: An over-the-hill guy makes one of history’s most cringe-worthy, creepiest pick-up attempts, reminiscing about his glory days in a fraternity and lamenting that his would-be companion doesn’t know who Aretha Franklin is. (The bridge is a bit tougher to crack. Is anyone sharing that “fine Colombian”?) But the words didn’t propel this Gaucho classic into Billboard's Top 10. Instead, that credit goes to the groove, anchored by Walter Becker ’s gently gliding bass guitar, Donald Fagen’s velvety electric piano and a chorus smoother than top-shelf Cuervo Gold. (Reed)
10. "Rich Girl," Daryl Hall & John Oates (1976)
It’s one of the most economical pop songs ever written: two A sections, two B sections (the second one extended), a fade-out vocal vamp. In and out. Wham, bam, boom. Perhaps that's why it’s easy to savor “Rich Girl” 12 times in a row during your morning commute, why hearing it just once on the radio is almost maddening. This blue-eyed-soul single, the duo’s first No. 1 hit, lashes out at a supposedly entitled heir to a fast-food chain. (The original lyric was the less-catchy “rich guy ”; that one change may have earned them millions.) But there’s nothing bitter about that groove, built on Hall’s electric piano stabs and staccato vocal hook. (Reed)
9. "Fooled Around and Fell in Love," Elvin Bishop (1975)
Elvin Bishop made his biggest pop-chart splash with "Fooled Around and Fell In Love," permanently changing the first line of his bio from a former member of the Paul Butterfield Blues Band to a solo star in his own right. There was only one problem: "The natural assumption was that it was Elvin Bishop who was singing,” singer Mickey Thomas told the Tahoe Daily Tribune in 2007. Thomas later found even greater chart success with Starship alongside Donny Baldwin, who also played drums on Bishop's breakthrough single. "A lot of peers found out about me through that, and ultimately I did get credit for it," Thomas added. "It opened a lot of doors for me." (DeRiso)
8. "Baker Street," Gerry Rafferty (1978)
Gerry Rafferty already had a taste of success when his band Stealers Wheel hit the Top 10 with the Dylanesque "Stuck in the Middle With You" in 1973. His first solo album after the group's split, City to City , made it to No. 1 in 1978, thanks in great part to its hit single "Baker Street" (which spent six frustrating weeks at No. 2). The iconic saxophone riff by Raphael Ravenscroft gets much of the attention, but this single triumphs on many other levels. For six, mood-setting minutes Rafferty winds his way down "Baker Street" with a hopefulness rooted in eternal restlessness. (Gallucci)
7. "Dirty Work," Steely Dan (1972)
In just about three minutes, Steely Dan tells a soap-opera tale of an affair between a married woman and a man who is well aware he's being played but is too hopelessly hooked to end things. " When you need a bit of lovin' 'cause your man is out of town / That's the time you get me runnin' and you know I'll be around ," singer David Palmer sings in a surprisingly delicate tenor. A saxophone and flugelhorn part weeps underneath his lines. By the time the song is over, we can't help but feel sorry for the narrator who is, ostensibly, just as much part of the problem as he could be the solution. Not all yacht rock songs have happy endings. (Rapp)
6. "Ride Like the Wind," Christopher Cross (1979)
“Ride Like the Wind” is ostensibly a song about a tough-as-nails outlaw racing for the border of Mexico under cover of night, but there’s nothing remotely dangerous about Christopher Cross’ lithe tenor or the peppy piano riffs and horns propelling the tune. Those contradictions aren’t a detriment. This is cinematic, high-gloss pop-rock at its finest, bursting at the seams with hooks and elevated by Michael McDonald’s silky backing vocals. Cross nods to his Texas roots with a fiery guitar solo, blending hard rock and pop in a way that countless artists would replicate in the next decade. (Rolli)
5. "Summer Breeze," Seals & Crofts (1972)
Jim Seals and Dash Crofts were childhood friends in Texas, but the mellow grandeur of "Summer Breeze" makes it clear that they always belonged in '70s-era Southern California. "We operate on a different level," Seals once said , sounding like nothing if not a Laurel Canyon native. "We try to create images, impressions and trains of thought in the minds of our listeners." This song's fluttering curtains, welcoming domesticity and sweet jasmine certainly meet that standard. For some reason, however, they released this gem in August 1972 – as the season faded into fall. Perhaps that's why "Summer Breeze" somehow never got past No. 6 on the pop chart. (DeRiso)
4. "Lowdown," Boz Scaggs (1976)
As you throw on your shades and rev the motor, the only thing hotter than the afternoon sun is David Hungate’s sweet slap-bass blasting from the tape deck. “This is the good life,” you say to no one in particular, casually tipping your baseball cap to the bikini-clad crew on the boat zooming by. Then you press “play” again. What else but Boz Scaggs ’ silky “Lowdown” could soundtrack such a moment in paradise? Everything about this tune, which cruised to No. 3 on the Billboard Hot 100, is equally idyllic: Jeff Porcaro’s metronomic hi-hat pattern, David Paich’s jazzy keyboard vamp, the cool-guy croon of Scaggs — flexing about gossip and “schoolboy game.” You crack open another cold one — why not? And, well, you press play once more. (Reed)
3. "Lido Shuffle," Boz Scaggs (1976)
Scaggs' storied career began as a sideman with Steve Miller and already included a scorching duet with Duane Allman . Co-writer David Paich would earn Grammy-winning stardom with songs like "Africa." Yet they resorted to theft when it came to this No. 11 smash. Well, in a manner of speaking: "'Lido' was a song that I'd been banging around, and I kind of stole – well, I didn't steal anything. I just took the idea of the shuffle," Scaggs told Songfacts in 2013. "There was a song that Fats Domino did called 'The Fat Man ' that had a kind of driving shuffle beat that I used to play on the piano, and I just started kind of singing along with it. Then I showed it to Paich, and he helped me fill it out." Then Paich took this track's bassist and drummer with him to form Toto. (DeRiso)
2. "Peg," Steely Dan (1977)
"Peg" is blessed with several yacht-rock hallmarks: a spot on Steely Dan's most Steely Dan-like album, Aja , an impeccable airtightness that falls somewhere between soft-pop and jazz and yacht rock's stalwart captain, Michael McDonald, at the helm. (He may be a mere backing singer here, but his one-note chorus chirps take the song to another level.) Like most Steely Dan tracks, this track's meaning is both cynical and impenetrable, and its legacy has only grown over the years – from hip-hop samples to faithful cover versions. (Gallucci)
1. "What a Fool Believes," the Doobie Brothers (1978)
Michael McDonald not only steered the Doobie Brothers in a new direction when he joined in 1975, but he also made them a commercial powerhouse with the 1978 album Minute by Minute . McDonald co-wrote "What a Fool Believes" – a No. 1 single; the album topped the chart, too – with Kenny Loggins and sang lead, effectively launching a genre in the process. The song's style was copied for the next couple of years (most shamelessly in Robbie Dupree's 1980 Top 10 "Steal Away"), and McDonald became the bearded face of yacht rock. (Gallucci)
Top 100 Classic Rock Artists
Gallery Credit: UCR Staff
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- John Robinson
Top 100 Greatest Yacht Rock Songs of All Time
Yacht Rock, a term that has steadily grown in popularity, refers to the smooth, groovy rock music of the '70s and '80s that has been popularized over the recent years. Initially categorized as soft rock or adult contemporary, Yacht Rock places a stronger emphasis on the groove rather than the lyrics, making it some of the easiest and catchiest easy listening music for many rock fans. Interestingly, nearly all Yacht Rock songs were created 35-40 years before the genre was officially recognized as its own distinct style, leaving room for interpretation about what exactly qualifies as Yacht Rock. For our criteria, we analyzed the entire catalog of Sirius XM Yacht Rock Radio alongside Spotify and Apple Music’s Yacht Rock playlists and ranked the songs accordingly. Each song included has been deemed Yacht Rock by at least one of these sources and was scored against all other entries. Some songs may rank higher in a broader rock or soft rock sphere, but here are what we have deemed to be the 100 Greatest Yacht Rock Songs of All Time complete with a playlist of all 100 Songs . For a broader list across at songs across the rock realm, be sure to check out the Top 200 Greatest Rock Songs of All Time .
1. What a Fool Believes - The Doobie Brothers
Deemed almost unanimously as the quintessential Yacht Rock tune by the few publications that have taken the time to dive into this same endeavor , What a Fool Believes stands out as one of the grooviest rock tunes to ever achieve mainstream success. Featuring the quintessential Yacht Rock vocalist, Michael McDonald, the song topped charts across North America and became one of the most recognizable and frequently played songs of the '70s. Michael McDonald, who joined The Doobie Brothers in 1975, had become the band's primary vocalist by the release of Minute by Minute in 1978, which houses What a Fool Believes . With this album marking a new sound for the band, especially following the temporary health-related departure of Tom Johnston, the band's new sound was polished to perfection, a dramatic shift from the Toulouse Street sound of the early part of the decade. Nevertheless, What a Fool Believes is a serious earworm, a critically "perfect" pop-rock song, if you will, and a song that reinvented The Doobie Brothers.
2. Peg - Steely Dan
One of the most talented groups on our list, if not the most talented, Steely Dan transcended the typical confines of Yacht Rock during their initial ten-year run. Covering genres from Yacht Rock to jazz rock, progressive rock, and funk rock, Steely Dan captivated audiences uniquely throughout the '70s and early '80s. Walter Becker and Donald Fagen consistently collaborated with the world's finest studio musicians, producing albums of perfectionist caliber. Within the realm of Yacht Rock, Peg takes their top spot, ranking just behind What a Fool Believes in the genre. Once again, Michael McDonald provides backing vocals, harmonizing behind Donald Fagen and Paul Griffin. The silky smooth vocals paired with top-notch instrumentals make Peg a standout track. Furthermore, Aja , the album that houses Peg , is one of the most impressive American albums of all time , beyond its Yacht Rock appeal.
3. Brandy (You're a Fine Girl) - Looking Glass
Released in 1972, the one-hit wonder by Looking Glass, Brandy , established a much bigger name for itself than the band ever managed to achieve on its own. As one of the smoothest and catchiest songs of the ‘70s, Brandy consistently appears on nearly every Yacht Rock, adult contemporary, or easy listening playlist available. The song tells a melancholic tale that is open to interpretation, though it is generally understood to describe an attractive bartender based in Northern New Jersey. Featuring catchy harmonies, clean soft guitar, and subtle horn use, what's not to love about this song?
4. Sailing - Christopher Cross
If it were up to us at Melophobe, the "Yacht Rock Crown" would go to San Antonio’s own Christopher Cross. Although Cross really shined with just his first two studio albums before his later releases (post-1983) fell into obscurity, his early work still grabs all the attention. From his self-titled debut album, Sailing stands out as a top ten hit that's the epitome of Yacht Rock. Interestingly, the term "yacht rock" itself is often linked right back to this song. His debut album is loaded with iconic tunes in this style, with Sailing rightfully taking its place at the forefront.
5. Escape (The Pi ñ a Colada Song) - Rupert Holmes
The second tune in our top ten that found its way onto one of the three Guardians of the Galaxy soundtracks—as well as its original LP release—comes from yacht rock icon Rupert Holmes. Escape (The Piña Colada Song) tells a story that feels more comical today than it might have in the ‘70s, describing a personal ad in search of a like-minded, carefree, fun-loving companion. Beyond the quirky lyrics, the sounds of crashing waves and clean guitars have turned the tune into a timeless earworm, cementing its status as a yacht rock masterpiece long before the term even existed. Guardians of the Galaxy wasn't just a great series for action lovers; who would've guessed its soundtrack would become almost as iconic as the movies themselves?
6. Lowdown - Boz Scaggs
Part of the same studio musician collective that worked with Steely Dan, Boz Scaggs hit major commercial success in 1976 with the release of his richly decorated album Silk Degrees . Boz Scaggs found success as one of the few artists to achieve substantial mainstream success in the jazz rock world aside from Steely Dan, with both artists utilizing many of the same studio musicians. Released from Silk Degrees , the standout yacht rock tune is Lowdown , a tightly produced masterpiece. Similar to Christopher Cross, Boz's peak in the mainstream was relatively brief, with his fame primarily anchored to Silk Degrees and sporadic airplay of his other songs over about a decade.
7. Come and Get Your Love - Redbone
Yet another tune from the Guardians of the Galaxy soundtracks to make our top ten is Come and Get Your Love , released in 1975 by the swamp rock band Redbone. While often labeled as a one-hit-wonder, Redbone actually scored another American top 40 hit in 1971 and enjoyed scattered success in the R&B scene throughout the '70s. Come and Get Your Love has since been celebrated as one of the greatest pop songs of the '70s and also managed to somewhat subtly tap into the disco craze of the era.
8. Margaritaville - Jimmy Buffett
The question of whether Jimmy Buffett fits into the yacht rock category has stirred some debate lately, with the answer remaining somewhat unclear since the term itself is still relatively new. Most agree that Buffett's music is in a category of its own, but there are still those who argue that his unique sound has a place within yacht rock. Regardless, Margaritaville and a few other Buffett tunes are staples on yacht rock radio stations, so we've deemed them eligible. Buffett's music embodies a carefree lifestyle that mirrors the feel and attitude of yacht rock. His iconic song Margaritaville instantly puts listeners in a vacation mindset, a unique characteristic that has garnered it extensive praise and airplay over the years. The passing of Jimmy Buffett, an American legend, touched the hearts of many.
9. Africa - Toto
The first track from the 1980s to make our top ten is Africa from Toto's fourth album, aptly named Toto IV , released in 1982. Africa topped the charts across North America and performed exceptionally well worldwide with its powerful chorus, extensive keyboard usage, and subtle guitar playing. Alongside Rosanna , also from Toto IV , Africa has become a yacht rock staple, but it didn’t stop there—it transcended the genre to become one of the most iconic songs of the '80s. Today, it's still adored, nearing two billion streams on Spotify. The song has also become a favorite for covers, from bar bands to top-notch acts like Weezer.
10. Baby Come Back - Player
Player carved out a slice of mainstream success in the late '70s, as soft rock began to resonate with those not taken by styles like punk rock and disco. Their biggest hit by far was the North American chart-topper Baby Come Back . Aside from being a soft rock staple, the song has also gained a new life as a meme across the internet. While yacht rock songs typically shy away from overly heartfelt or emotional lyrics, focusing more on the groove, Baby Come Back manages to do both masterfully. The song blends notable emotional depth with an undeniably groovy beat, making it incredibly memorable—so much so that it's recognized by just about every American
11. Just the Two of Us - Grover Washington Jr, Bill Withers
12. Southern Cross - Crosby, Stills & Nash
13. Take it Easy - Eagles
14. Arthur's Theme (Best That You Can Do) - Christopher Cross
15. Year of the Cat - Al Stewart
16. Hey Nineteen - Steely Dan
17. Still the One - Orleans
18. Sharing the Night Together - Dr. Hook
19. Sister Golden Hair - America
20. Dreams - Fleetwood Mac
21. Summer Breeze - Seals & Croft
22. Guitar Man - Bread
23. Thunder Island - Jay Ferguson
24. Lido Shuffle - Boz Scaggs
25. Give Me the Night - George Benson
26. How Much I Feel - Ambrosia
27. Reminiscing - Little River Band
28. Doctor My Eyes - Jackson Browne
29. Sara Smile - Hall & Oates
30. Rosanna - Toto
31. All Night Long (All Night) - Lionel Richie
32. I.G.Y. - Donald Fagan
33. Minute By Minute - The Doobie Brothers
34. If You Leave Me Now - Chicago
35. Time Out of Mind - Steely Dan
36. Kokomo - The Beach Boys
37. Eye in the Sky - Alan Parsons Project
38. Sentimental Lady - Bob Welch
39. Rich Girl - Hall & Oates
40. What You Won't Do for Love - Bobby Caldwell
41. Ride Like the Wind - Christopher Cross
42. I'd Really Love to See You Tonight - England Dan & John Ford Coley
43. Lovely Day - Bill Withers
44. Graceland - Paul Simon
45. Changes In Latitudes, Changes In Attitudes - Jimmy Buffett
46. Time Passages - Al Stewart
47. One of These Nights - Eagles
48. She's Gone - Hall & Oates
49. Silly Love Songs - Wings
50. Hold On - Santana
51. Steal Away - Robbie Dupree
52. Dance With Me - Orleans
53. Listen to the Music - The Doobie Brothers
54. How Long - Ace
55. So Into You - Atlanta Rhythm Section
56. Diamond Girl - Seals & Croft
57. Lotta Love - Nicolette Larson
58. We Just Disagree - Dave Mason
59. Mexico - James Taylor
60. Keep on Loving You - REO Speedwagon
61. Baker Street - Gerry Rafferty
62. Tender is the Night - Jackson Browne
63. Love Will Find a Way - Pablo Cruise
64. You Can Do Magic - America
65. Key Largo - Bertie Higgins
66. When You're In Love With a Beautiful Woman - Dr. Hook
67. Dirty Work - Steely Dan
68. All Out of Love - Air Supply
69. I Saw the Light - Todd Rundgren
70. Let Me Love You Tonight - Pure Prairie League
71. I Love You - Climax Blues Band
72. I Keep Forgettin' (Every Time You're Near) - Michael McDonald
73. This is It - Kenny Loggins
74. The Things We Do For Love - 10cc
75. Say You Love Me - Fleetwood Mac
76. Biggest Part of Me - Ambrosia
77. You're the Inspiration - Chicago
78. Dream Weaver - Gary Wright
79. Longer - Dan Fogelberg
80. You Are - Lionel Richie
81. Just a Song Before I Go - Crosby, Stills & Nash
82. Right Down the Line - Gerry Rafferty
83. New Frontier - Donald Fagan
84. I Love a Rainy Night - Eddie Rabbitt
85. Cool Night - Paul Davis
86. Get Down On It - Kool & The Gang
87. It's Raining Again - Supertramp
88. Vincent - Don McLean
89. Crazy Love - Poco
90. Spooky - Atlanta Rhythm Section
91. Vienna - Billy Joel
92. Cool Cat - Queen
93. Nothing's Gonna Change My Love For You - George Benson
94. Hypnotized - Bob Welch (Also Released by Fleetwood Mac)
95. Casablanca - Bertie Higgins
96. Think of Laura - Christopher Cross
97. Fooled Around and Fell in Love - Elvin Bishop
98. Private Eyes - Hall & Oates
99. Lonesome Loser - Little River Band
100. Moonlight Feels Right - Starbuck
All of the picks from this list have been compiled into a streamable Spotify Playlist below entitled Yacht Rock Top 100 .
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Buzz Playlist: "Yacht Rock"
We started talking about the category of music called "Yacht Rock" - which, I think is made up of songs from the easy listening/rock genre. Supposedly, it's the music that rich dudes listen to on their yachts! People dig it - so we decided to make a quick playlist based on your and our suggestions! Here are some (you can make a playlist on iHeartRadio, or Spotify, or iTunes Music). These are in no particular order, and this is by no means what we could consider a complete list. Have fun - g
BRANDY – LOOKING GLASS
TAKE IT EASY – EAGLES
REALING IN THE YEARS – STEELY DAN
DIRTY WORK – STEELY DAN
WHENEVER I CALL YOU FRIEND – KENNY LOGGINS
I’M ALRIGHT – KENNY LOGGINS
THIS IS IT – KENNY LOGGINS
ANOTHER PARK, ANOTHER SUNDAY – DOOBIE BROTHERS
IF YOU LEAVE ME NOW – CHICAGO
TAKE THE LONG WAY HOME – SUPER TRAMP
STILL ROCK AND ROLL TO ME – BILLY JOEL
MY MARIA – BW STEVENSON
LOVE WILL KEEP US TOGETHER – CAPTAIN AND TENNILLE
GREEN EYED LADY – SUGAR LOAF
BROWN EYED GIRL – VAN MORRISON
EVERY LITTLE THING SHE DOES IS MAGIC – POLICE
I CAN’T GO FOR THAT – HALL AND OATES
LEATHER AND LACE - STEVIE NICKS AND TOM PETTY
SOUTHERN CROSS – CROSBY, STILLS, NASH
YOU CAN CALL ME AL – PAUL SIMON
COCOMO – BEACH BOYS
CHEESEBURGER IN PARADISE – JIMMY BUFFETT
ST.ELMOS FIRE – JOHN PARR
DANCE WITH ME – ORLEANS
STRANGE MAGIC – ELO
THESE DREAMS – HEART
CRAZY LOVE – POCO
SUMMER BREEZE – SEALS AND CROFTS
STEPPING OUT – JOE JACKSON
ROSANNA - TOTO
AFRICA – TOTO
WHAT YOU GOING TO DO - PABLO CRUZ
LADY - LITTLE RIVER BAND
BABY COME BACK – PLAYER
JANE – JEFFERSON STARSHIP
POWER OF LOVE – HUEY LEWIS
HIGHER LOVE – STEVE WINWOOD
AFTERNOON DELIGHT – STARLAND VOCAL BAND
HORSE WITH NO NAME – AMERICA
RIDE LIKE THE WIND – CHRISTOPHER CROSS
ESCAPE (THE PINA COLADA SONG) – RUPERT HOLMES
SAILING – CHRISTOPHER CROSS
THE WAY IT IS – BRUCE HORNSBY
ALL NIGHT LONG – LIONEL RICHIE
JESSIES GIRL – RICK SPRINGFIELD
EVERYBODY WANTS TO RULE THE WORLD
SILENT RUNNING – MIKE AND THE MECHANICS
DIED IN YOUR ARMS - CUTTING CREW
WE BUILT THIS CITY - STARSHIP
HARD TO SAY I’M SORRY - CHICAGO
CARIBEAN QUEEN – BILLY OCEAN
BAKER STREET – JERRY RAFFERTY
GET OUT OF MY DREAMS – BILLY OCEAN
I JUST WANT TO LOSE YOUR LOVE TONIGHT
BREAK MY STRIDE – MATTHEW WILDER
LOW DOWN – BOZ SCAGGS
WHAT A FOOL BELIEVES – DOOBIE BROTHERS
BIGGEST PART OF ME - AMBROSIA
SHARING THE NIGHT TOGETHER – DR.HOOK
SITTING ON THE DOCK OF THE BAY
COME ON EILEEN – DEXY’S MIDNIGHT RUNNERS
TAKE ON ME – A-HA
ROCK THE BOAT – THE HUES CORPORATION
SAIL ON SAILOR – THE BEACH BOYS
COULDN’T GET IT RIGHT – CLIMAX BLUES BAND
DAISY JANE – AMERICA
SEXY EYES – DR. HOOK
MAKE IT WITH YOU – BREAD
ARTHUR’S THEME – CHRISTOPHER CROSS
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Yacht rock stinks but these five songs are still unbelievably good
I hate yacht rock. I mean, not all of it. Some of it, a small portion to be sure, is pretty excellent. That’s kind of what this little essay is about. But I hate that yacht rock is – you know – a thing. A thing that exists in this world.
I know what you’re thinking. I’m old. I was young when what passes for yacht rock was “cutting edge.” But that’s not it. Not entirely. First off, this music, whether good or bad , was never cutting edge. More importantly, what I really hate is the way our perception of yacht rock has changed. If it were simply a pejorative label for music that is decidedly uncool – if it was merely a way to poke some fun at your dad’s music – I would have no problem. It is old. It is dated. And a lot of it isn’t especially good.
But yacht rock has morphed. It’s actually popular now. People claim to like it – without irony, as near as I can tell. The music hasn’t changed. It was all recorded decades ago . But for some reason, our perceptions of it have shifted.
Yacht rock is awful (except for these five songs)
So what’s wrong with that? Why does it make me see red? Because it has the effect of lumping pretty much anything with the faintest trace of soft rock released in the ‘70s and early ‘80s into the same category. It’s all yacht rock. And a lot of it is actually awful. A lot of it deserved the snickering appellation.
I like the Eagles and I love Steely Dan, but I have no problem with some of their songs being called yacht rock. That label typically only gets applied to the most inert and boring of their output. “New Kid in Town” – yacht rock. “James Dean” – not yacht rock. “Peg” – yacht. “Reeling in the Years” – not. Doobie Brothers, pre-Michael McDonald, is not yacht rock. After McDonald took over? Fine. Stick it on a boat and sail it out to sea.
See, I have no problem with properly curated yacht rock lists. But that’s not what we get now. Not when a Sirius station is devoted to all things Yacht. Not when you can find a station on IHeartRadio and playlists galore across the internet. Now that yacht rock has become a viable concern, some really good old songs have been lumped in with a lot of drivel. And that is what bothers me.
Therefore, I am fighting back the only way I know how. I am highlighting five songs that I have personally heard on a mainstream music service that purports to play yacht rock. Superficially, these songs may fit the profile, but they are light years better than most of what gets played on this station. I’m talking about Christopher Cross and America. “Baby Come Back,” and …. (cringe) “Escape (The Pina Colada Song)”.
These five songs are better than that, and they should not be tainted by the label, even if it is enjoying some form of respectability at present.
“Jackie Blue” – The Ozark Mountain Daredevils (1975)
OMD formed in the early ‘70s and had a decent-sized hit with the swampy southern rocker “If You Wanna Get To Heaven.” “Jackie Blue” came the following year and it was very different. For one thing, it was sung by drummer Larry Lee, whose high tenor was a far cry from OMD’s previous sound.
It also features multiple musical hooks, on both the chorus and verse, which convinced the band’s management that it was ripe for radio play. So they had Lee and Steve Cash rewrite the lyrics. Lee’s original inspiration for Jackie was a mysterious drug dealer. At the request of their producer, Jackie becomes a mysterious woman. But something in the grittiness of the initial conception lingered. It made the song both mysterious and perhaps just a tad dangerous. The haunting guitar solo reinforced the vibe.
OMD was a rock and roll band that happened to come up with a dreamy ballad that hints at regret. “Every day in your indigo eyes – I see the sun set but I don’t see it rise” is a line that could have been maudlin, but here, it plays as beautiful, eerie, and a little bit sad. You don’t get that range in a yacht rock song.
“Couldn’t Get It Right” – The Climax Blues Band (1976)
The follow-up to this song, the British band’s other major hit “I Love You” is pretty saccharine stuff. But this one – this one has got a little bit of funk to it. In Colin Cooper, they’ve got a long-haired, husky-voiced sax player who just oozes blues. (Say that five times fast).
This is as close as you are apt to find to a genre I am going to make up right now called glam blues. They’ve got splashy guitars and keys. They’ve got the old soul sax. They’ve got a great groove coming from the bass and drums. This is not especially fast-paced music, but it is almost impossible not to start dancing when you hear it.
Mind you, this is not who CBB was most of the time. Live, they were a jam band. Peter Haycock played a mean slide guitar and they would often go on extended forays into some solid professional blues rock. But “Couldn’t Get It Right” does kind of make me wish they had let Cooper sing a little more. Haycock had a higher voice that was fine on standard rockers. When Cooper sang, it was like tuning your guitar down. It introduced a different feel to the music.
But I can say this much with confidence. No matter who was singing, Climax Blues Band never set foot on a yacht.
‘I’m Not Gonna Let It Bother Me Tonight” – Atlanta Rhythm Section (1977)
Atlanta Rhythm Section had a string of hits in the mid-‘70s, many of which are considered yacht rock. “So Into You,” “Imaginary Lover,” “Champagne Jam,” and especially “Spooky” are all stand-out songs that have hypnotic grooves. None of them should founder on the yacht rocks.
As their name suggests, ARS was comprised of studio session players. They backed up some of the titans of the music industry, and when you hear them, you are hearing as smooth and as tight an ensemble as you would find in the late ‘70s. This song has a solid bass with plenty of flourishes on top. It has a tight little guitar solo. It has an equally smooth vocal. It’s a night out at the bar – a great party tune.
Let me just illustrate my point here with a brief anecdote. I always listen to a song before I write about it, no matter how well I think I know it. When I went to take another listen to this one, I accidentally clicked on a song that was adjacent to it on some online, yacht rock playlist. My initial thought was “Uh oh, this song doesn’t begin the way I remember it. It’s kind of boring.”
A few seconds later, Gerry Rafferty’s vaguely whining voice began singing “Right Down the Line” and I realized my mistake. Now, I have nothing against Rafferty – that whine worked wonders on “Stuck in the Middle With You.” But “Right Down the Line” is lifeless yacht rock. The Atlanta Rhythm Section were not.
“Smoke From a Distant Fire” – Sanford-Townsend Band (1977)
Johnny Townsend and Ed Sanford had one hit, and they got it by dressing up their blue-eyed soul with a brassy, jazzy arrangement that allowed Townsend’s voice to complement rather than carry the bulk of the song. “Smoke From a Distant Fire” begins with a sprightly guitar and wailing sax before introducing its main musical hook. Then, about thirty seconds in, Townsend begins an assured vocal.
In some songs, overlaying keyboards, guitars, and horns can become a distraction. Here it works perfectly. Townsend’s vocals become a counterpoint to all those instruments that fill the track with constant groove. It’s jam-packed soul that strikes the perfect balance, right through to the outro which pairs the lead vocal against echoing backing voices and ending with Townsend’s big finish.
Sanford-Townsend never got there again. The rest of their material abandoned the big production. They always had some creative keyboards and Townsend's pleasant voice, but that’s about all they ever were – pleasant. A lot of the rest of their music could be accurately called yacht rock. But their one hit was a hit for a reason. It had energy and life, almost as if it were being fueled by the smoke of a distant fire.
“Lovely Day” – Bill Withers (1977)
“Lovely Day” opens with a funky little bass line before Bill Withers begins his effortless vocal. This is an enormously happy song, and in another voice, it might not have worked as well. As evidence, I submit Diana Ross’s 2006 cover. Ross is not aided by a rather bizarre techno arrangement, but she is no slouch when it comes to selling a song, and her version doesn’t really work. That soulful, bluesy quality in Withers' voice provides marvelous dissonance with the utterly bright lyrics.
The song is famous for the note Withers holds at the end. Throughout the song, he was routinely holding the word “day” for about ten seconds while his backup singers repeated it beneath him. At the beginning of the outro, he decides that’s not quite big enough and essentially holds the same note through two chorus cycles, twice as long as he had been doing, for a rather astonishing 18 seconds. And he does it so gracefully. His voice barely even quivers at the end as he fades down in the final second.
Now look, I’ll admit that “Lovely Day” is the kind of song you might want to play when out on the water with the sun in the sky. I’ll further admit that Bill Withers served in the Navy for almost a decade before achieving success as a singer/songwriter. So maybe he would even accompany you on your little boat ride. But Bill Withers is not yacht rock. Never was. Isn’t now.
So, pull on your True Classic tee, twist open a Coors Light, and tune into some yacht rock if you must. Complain about how they don’t make real music like that anymore. Hell, pop an ED pill if it helps. But don’t let me catch you calling a good song from the late ‘70s yacht rock just because some programming bot decided it had all the proper earmarks. Listen to the songs. Then you’ll know.
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This article was originally published on audiophix.com as Yacht rock stinks but these five songs are still unbelievably good .
The 25 Best Yacht Rock Songs Of All Time
Yacht Rock isn’t exactly a genre. It’s more a state of mind. It is the musical equivalent of a mid-afternoon mimosa nap in some nautical location—a cool breeze of lite-FM confection with the substance of a romance novel and the machismo of a Burt Reynolds mustache comb.
But what exactly is Yacht Rock?
Yacht Rock is ‘70s soft schlock about boats, love affairs, and one-night stands.
Typified by artists like Christopher Cross, Rupert Holmes, and Pablo Cruise, Yacht Rock is not only easy to mock, but it’s also deserving of the abuse. There’s a sensitive 70s male brand of chauvinism that permeates this material—like somehow because you could schnarf an 8-ball of cocaine and sail a boat into the sunset, your indulgences and marital infidelity were actually kind of sexy. Cheap pickup lines and beardly come-ons abound.
And yet, this stuff is irresistible on a slow summer day. It reeks of sunshine and laziness, and couldn’t we all use a little of both?
These are the 25 Best Yacht Rock Songs, in order. Zero suspense. (Sorry if that’s less fun for you).
If you would like to learn more about Yacht Rock without getting a sailing license, read on…
What are the qualifications for inclusion on our list?
So Yacht Rock refers to a type of soft rock, right? But there’s a ton of soft rock out there that doesn’t fit the bill. There’s no room on my boat for Barry Manilow. At the Copa? Sure. But not so much on my boat. So what makes a great yacht rock song exactly?
Ideally, one or more of these themes will be present:
- Finding the love of your life;
- Having a memorable one-night stand; or
- Doing something nautical.
These features pretty much capture everything that’s great about this milieu. But there’s also an important cheese factor at play here. While Steely Dan, Hall & Oates, CSN, and the Doobie Brothers all made songs that might qualify for inclusion here, the artists themselves are–let’s just say it–too good to be considered Yacht Rock.
We’ll make sure to include them in our deluxe playlist at the article’s conclusion.
But in order for a song to be considered for our list, it must be at least slightly embarrassing. Case in point, the top song on our list…
1. “Escape (The Pina Colada Song)” by Rupert Holmes
“The Pina Colada Song” is arguably the most perfect embodiment of yacht rock, fulfilling, as it does, all three of the qualifications cited above. Holmes sings about making love in the dunes, attempts to cheat on his wife, then ultimately, rediscovers that his “old lady” is actually the love he’s been searching for all along. That’s the holy trinity of Yacht Rock themes, all wrapped up in a breezy story of casual adultery. And at the turn of a new decade, listeners were feeling it. Released as a single in 1979, “Escape” stood at the top of the charts during the last week of the year. Falling to #2 in the new year, it returned to the top spot in the second week of 1980. This made it the first song to top the charts in two separate, consecutive decades. Fun fact: Rupert Holmes never drank a Pina Colada in his life. He just thought the lyric sounded right. Hard to argue that point.
2. “Brandy (You’re a Fine Girl) by The Looking Glass
Formed at Rutgers University in 1969, Looking Glass topped the charts in 1972 with the tale of a lovelorn barmaid in a harbor town haunted by lonely sailors. It would be the band’s only hit. Lead singer Elliot Lurie would go on to a brief solo career before becoming head of the music department for the 20th Century Fox movie studio in the ’80s and ’90s. That means he was the musical supervisor for the soundtrack to Night at the Roxbury . Do with that information what you will. And with respect to “Brandy,” see the film Guardians of the Galaxy 2 for Kurt Russell’s surprisingly detailed treatise on its lyrical genius.
3. “Summer Breeze” by Seals and Crofts
The title track from the soft-rock duo’s breakout 1972 record, “Summer Breeze” is an incurable earworm, a bittersweet twilight dream that captures everything that’s right about Lite FM. From an album inhabited by Wrecking Crew vets and studio aces, “Summer Breeze” curls like smoke drifting lazily through an open window.
4. “Africa” by Toto
Toto singer David Paich had never been to Africa. The melody and refrain for this #1 hit from 1982 came to him fully formed as he watched a late night documentary about the plight of those living on the African continent. The lyrics touch on missionary work and describe the landscape as inspired by images from National Geographic , according to Paich’s own recollection. Putting aside its self-aware inauthenticity, “Africa” is an infectious, 8x platinum AOR monster.
5. “Reminiscing: by Little River Band
Released in the summer of 1978 and reaching up to #3 on the Billboard Hot 100, “Reminiscing” was guitarist Graeham Goble ‘s nostalgic take on the swing band era. Not only is it the only Australian song ever to reach five million radio plays in the U.S., but rumor is that it was among the late John Lennon’s favorite songs.
6. “Drift Away” by Dobie Gray
Recorded originally by a country-swamp rocker named Jeffrey Kurtz, Dobie’s 1973 cover became his biggest hit, reaching #5 on the charts. Though not explicitly nautical, “Drift Away” captures the distinct sensation of cruising at sunset.
7. “Love Will Find a Way” by Pablo Cruise
Pablo Cruise may have the most “yachty” of all band names on our list. And “Love Will Find a Way” is sort of the musical equivalent of a ketch skipping along a glassy surface on a crisp summer dawn. Pablo Cruise was formed in San Francisco by expats from various mildly successful bands including Stoneground and It’s a Beautiful Day. And there is a certain slick professionalism to the proceedings here. Of course, Pablo Cruise was never a critic’s darling. Homer Simpson once accurately classified them as wuss rock. Still, they perfectly captured the white-folks-vacationing-in-the-Caribbean energy that was all the rage at the time. Love found a way to reach #6 on the Billboard charts, remaining in constant radio rotation during the red-hot summer of ’78.
8. “Ride Captain Ride” by Blues Image
Blues Image emerged from South Florida in the late ’60s and served as the house band for Miami’s vaunted Thee Image music venue upon its inception in 1968. This gave Blues Image the opportunity to open for ascendant headliners like Cream and the Grateful Dead. The association landed them a contract Atco Records. Their sophomore record Open yielded their one and only hit, a #4 in 1970 about a bunch of men who disappear into the mists of the San Francisco Bay in search of a hippie utopia.
9. “Eye in the Sky” by The Alan Parsons Project
This #3 hit from 1982 has nothing to do with sailing. But it’s infectiously smooth production sheen, layered synth, and dreamy vocals make it a perfect Lite FM gem–one cut from the stone that gave us yacht rock. The “Project” was actually a British duo–studio wizard Alan Parsons and singer Eric Woolfson. The title track from their sixth studio album is also their very best recording. It’s also often paired with the instrumental lead-in “Sirius,” a song famous in its own right for blaring over unnumbered sporting arena PA systems. If that tune doesn’t make you think of Michael Jordan, you probably didn’t live through the late 80s.
10. “Miracles” by Jefferson Starship
Marty Balin was a pioneer of the San Francisco scene, founding Jefferson Airplane in 1965 as the house band for his own legendary club–The Matrix. But in 1971, deeply shaken by the death of Janis Joplin, Balin quit his own band. Four years later, he was invited to rejoin his old mates on the already-launched Starship. He immediately contributed what would become the biggest hit by any Jeffersonian vessel. “Miracles” reached #3 in 1975. Gorgeous, elegant, and open, this is a complete anomaly in the Airplane-Starship catalogue. Listen closely for the NSFW lyrics that have often flown under the radar of some adorably innocent censors.
11. “Sad Eyes” by Robert John
In 1972, Robert John had a #3 hit with his cover of “The Lion Sleeps Tonight.” And yet, just before recording “Sad Eyes”, the Brooklyn-born singer was employed as a construction worker in Long Branch, New Jersey. By the summer of ’79, he would have a #1 hit. In fact, the charting success of “Sad Eyes” was part of a cultural backlash against the reign of disco. A wave of pop hits swept on to the charts, including this slick soft rock throwback. With his sweet falsetto and doo wop sensibility, Robert John knocked The Knack’s “My Sharona” from its 6-week stand atop the charts.
12. “Magnet and Steel” by Walter Egan
Before launching headlong into his music career, Walter Egan was one of the very first students to earn a fine arts degree from Georgetown, where he studied sculpture. The subject would figure into his biggest hit, a #8 easy listening smash from 1978. Featured on his second solo record, “Magnet and Steel” enjoys the presence of some heavy friends. Lindsey Buckingham produced, played guitar and sang backup harmonies with Stevie Nicks. By most accounts, Nicks was also a primary source of inspiration for the song.
13. “Lido Shuffle” by Boz Scaggs
Of course, not all yacht rock songs are about sailing on boats. Some are about missing boats. Boz Scaggs looks dejected on the cover of 1977’s Silk Degrees , but things turned out pretty well for him. This bouncy #11 hit is a classic rock mainstay today. The band you hear backing Boz–David Paich, Jeff Porcaro, and David Hungate–would go on to form the nucleus of Toto that very same year. Toto, as it happens, is essentially a recurring theme of the genre. Before rising to massive success in their own right, the members of Toto absolutely permeated rock radio in the 70s, laying down studio tracks with Steely Dan, Seals and Crofts, Michael McDonald, and more.
14. “What You Won’t Do for Love” by Bobby Caldwell
This smooth-as-silk tune reached #9 on the Billboard Hot 100 upon its 1978 release. It also reached #6 on the Hot Selling Soul Singles Chart. This is significant only because of Caldwell’s complexion. He was a white man signed to TK Records, a label most closely associated with disco acts like KC and the Sunshine Band. Catering to a largely Black audience, the label went to minor lengths to hide their new singer’s identity–dig the silhouetted figure on the cover of his own debut. Suffice it to say, once Caldwell hit the road, audiences discovered he was white. By then, they were already hooked on this perfect groove, which you might also recognize as a sample in 2Pac’s posthumous 1998 release, “Do For Love.”
15. “I Keep Forgettin’ (Every Time You’re Near)” by Michael McDonald
Technically, Michael McDonald’s “I Keep Forgettin’” is an adaptation of an earlier tune by the same name. In fact, the original “I Keep Forgettin” was conceived by the legendary songwriting duo Leiber and Stoller–best known for iconic staples like “Hound Dog”, “Kansas City”, “Poison Ivy” and much much more. The original recording is by Chuck Jackson and dates to 1962. But McDonald’s 1982 take is definitive. If that wasn’t already true upon its release and #4 peak position on the charts, certainly Warren G. and Nate Dogg cemented its status when they sampled McDonald on “Regulate”. Get the whole history on that brilliant 1994 time capsule here .
Oh and by the way, this tune also features most of the guys from Toto. I know, right? These dudes were everywhere.
16. “Baker Street” by Gerry Rafferty
To the casual listener, Gerry Rafferty’s name may sound vaguely familiar. Indeed, you may remember hearing it uttered in passing in the film Reservoir Dogs . In a key scene, the DJ (deadpan comedian Steven Wright) mentions that Rafferty formed half the duo known as Stealers Wheel, which recorded a “Dylanesque, pop, bubble-gum favorite from April of 1974” called “Stuck in the Middle With You.” In the same scene, Mr. Blonde (portrayed with sadistic glee by Michael Madsen), slices off a policeman’s ear. At any rate, this is a totally different song, and is actually Rafferty’s biggest hit. “Baker Street” is a tune that reeks of late nights, cocaine, and regret. Peaking at #2 on the Billboard Hot 100, “Baker Street” soared on wings of the decade’s most memorable sax riff. Raphael Ravenscroft’s performance would, in fact, lead to a mainstream revitalization of interest in the saxophone writ large.
17. “Wham Bam Shang-A-Lang” by Silver
There are several interesting things about Silver that have almost nothing to do with this song. First, bass guitarist and singer Tom Leadon was both the brother of Bernie Leadon from the Eagles and a member of Tom Petty’s pre-fame band, Mudcrutch. Second, the band’s keyboardist was Brent Mydland, who would go on to become the Grateful Dead’s longest tenured piano guy. Third, Silver put out their only record in 1976, and future Saturday Night Live standout Phil Harman designed the cover art. With all of that said, Arista executives felt that their first album lacked a single so they had country songwriter Rick Giles cook up this ridiculous, gooey concoction that I kind of love. Let’s say this one falls into the “so bad it’s good” category. Anyway, the song peaked at #16 on the charts. The band broke up in ’78, leading Mydland to accept the deadliest job in rock music. He defied the odds by playing with the Grateful Dead until an accidental drug overdose claimed his life in 1990.
18. “Biggest Part of Me” by Ambrosia
I admit, I’m kind of hard-pressed to make Ambrosia interesting. In fact, they were extremely prolific, and earned high regard in early ’70s prog rock circles. And in the 1990s, lead singer David Pack would actually be the musical director for both of Bill Clinton’s presidential inauguration concerts. But this Southern California combo is much better known to mainstream audiences for their top-down, hair-blowing-in-the-wind soft rock from the decade in between. Peaking at #3 on the Billboard Hot 100 in 1980, “Biggest Part of Me” is the group’s best-known tune–a seafoamy bit of blue-eyed soul served over a raw bar of smooth jazz and lite funk.
19. “Baby Come Back” by Player
Player released their self-titled debut album in 1977 and immediately shot up to #1 with “Baby Come Back.” Bandmates Peter Beckett and J.C. Crowley had both recently broken up with their girlfriends. They channeled their shared angst into this composition, a self-sorry guilty pleasure featuring former Steppenwolf member Wayne Cook on keys. Granted, Steppenwolf’s edgy disposition is nowhere to be found on this record, but it is pretty infectious in a late-summer-night, slightly-buzzed, clenched-fist sort of way. Player endured various lineup changes, but never returned to the heights of their first hit.
20. “On and On” by Stephen Bishop
Remember that scene in National Lampoon’s Animal House (1978) where there’s this dude in a turtleneck singing a super cloying folks song before John Belushi mercifully snatches away his guitar and smashes it to smithereens? That guy was Stephen Bishop, who was actually in the middle of enjoying considerable success with his 1976 debut album, Careless . “On and On” was the album’s biggest hit, a vaguely Caribbean soft-rocker that reached #11 on the Billboard Hot 100 in ’77. The gentle electric riffs you hear there are supplied by guitarist Andrew Gold–who wrote the theme song for the Golden Girls . (I freakin’ know you’re singing it right now).
21. “Chevy Van” by Sammy Johns
The classic tale of boy-meets-girls, bangs-her-in-his-van, and brags-to-his-buds, all with backing from the world famous Wrecking Crew studio team. In 1975, a lot of people super related to it. It sold over a million copies and reach #5 on the Billboard Hot 100. I can’t tell you this song is good. But I also can’t tell you I don’t like it.
22. “You Are the Woman” by Firefall
Firefall’s lead guitarist Jock Bartley perfectly captures this song’s impact, calling the band’s biggest hit “a singing version of [a] Hallmark card.” That feels right. The second single from Firefall’s 1976 self-titled debut was only a regional hit at first. But it was driven all the way to #9 on the Billboard Hot 100 on the strength of radio requests. As Bartley explained, “Every female between the ages of 18 and 24 wanted to be the woman portrayed in the song, and that caused their boyfriends and spouses to call radio stations and subsequently flood the airwaves with dedications of the song and the sentiment.”
23. “Sailing” by Christopher Cross
Arguably, “Sailing” is the single most emblematic song of the Yacht Rock genre. Its thematic relevance requires no explanation. But it’s worth noting that the song is inspired by true events. During a tough time in his youth, Cross was befriended by Al Glasscock. Serving as something of an older brother to Cross, Glasscock would take him sailing. He recalls in his biggest hit that this was a time of escape from the harsh realities of his real life. In 1979, Cross released his self-titled debut. In early 1980, “Sailing” became a #1 hit, landing Cross a hat-trick of Grammys–including recognition as best new artist. Though Cross and Glasscock would lose touch for more than 20 years, they were reunited during a 1995 episode of The Howard Stern Show . Cross subsequently mailed a copy of his platinum record to Glasscock.
24. “Steal Away” by Robbie Dupree
Apparently, this song was perceived as so blatant a ripoff of Michael McDonald and Kenny Loggins’ “What a Fool Believes” that legal action was actually threatened. It never formulated. Instead, Robbie Dupree landed a #6 Billboard Hot 100 hit with the lead single from his self-titled 1980 debut. Critics hated it, but it was a dominant presence in the summer of 1980. It even earned Dupree a Grammy nomination for best new artist. He ultimately lost to the man just above–Christopher Cross.
25. “This is It” by Kenny Loggins
You didn’t think we’d get through this whole list without an actual Kenny Loggins tune. This song has the perfect pedigree, teaming Loggins and Michael McDonald on a 1979 composition that became the lead single off of Kenny Loggins’ Keep the Fire. Coming on the tail end of the ’70s, “This is It” felt positively omnipresent in the ’80s. I may be biased here. I grew up in Philadelphia, where a local television show by the same name adopted “This is It” as its theme song. But then, it did also reach #11 on the Billboard Hot 100.
And in that spirit…this is it, the end of our list.
But as usual, here’s a bonus playlist–an expanded voyage through the breezy, AOR waters of the mid-’70s to early ’80s.
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The King Road Killings: An Idaho Murder Mystery
When four University of Idaho students were stabbed to death in their off-campus house on King Road, the media descended on the tiny town of Moscow, Idaho. ABC News Correspondent Kayna Whitworth brings listeners behind the scenes as she investigates the savage murders that captivated and horrified the nation in the winter of 2022. The King Road Killings, an immersive, reported series from ABC Audio, follows the case against Bryan Kohberger, the criminology PhD student charged with the murders. In the series, Whitworth takes a close look at why these students might have been targeted, how fear can grip a town when little information comes from law enforcement, and what happens when your community becomes the latest “true crime” storyline. A five-part narrative series, plus special update episodes as new information comes to light. Look for Season 2 at the start of the trial.
.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;} Introducing | The King Road Killings: An Idaho Murder Mystery
ABC News Correspondent Kayna Whitworth investigates the chilling murders of four University of Idaho students in The King Road Killings, a five-part narrative podcast series from ABC Audio, premiering on June 7th.
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.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;} Breaking News: Idaho College Murders Suspect Indicted by Grand Jury
A grand jury in Moscow, Idaho has indicted Bryan Kohberger.
Breaking News: The Arraignment
Suspect Bryan Kohberger appears in court in Moscow, Idaho.
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It began as a weekend of football, parties, late-night food and good friends -- a normal Saturday night in the college town of Moscow, Idaho. But Sunday morning, four University of Idaho students, Kaylee Goncalves, Madison Mogen, Xana Kernodle and Ethan Chapin, are found stabbed to death in their beds. Through friends, witnesses, video surveillance and social media footage, in Episode 1 we get to know who the victims were and recon...
Ep. 2: The Aftermath
Nearly eight hours after the murders, police receive a 911 call from the King Road house. Why the delay? Who discovers the murder scene and what do they see? Police don’t offer many answers initially, except to say they believe the murders were “targeted,” and that the community is safe. But without more information, speculation starts to swirl about who killed these students and why. Media descend to report the story, and amateur ...
Ep. 3: The Investigation
The small-town police department of Moscow, Idaho, is thrust into the national spotlight, as they try to solve a quadruple homicide and hunt down a killer. Law enforcement gives little information about their investigation until six weeks after the murders when they make a surprising arrest. With that arrest comes a bombshell affidavit outlining all the evidence they’ve kept so closely guarded throughout the investigation.
Learn mo...
Ep. 4: Who is Bryan Kohberger?
What was Bryan Kohberger’s life like before he was charged with these murders? People who knew him in his teenage years, in college, and right before he was arrested last December offer conflicting narratives. There's the Kohberger who helps save a colleague’s life and the Kohberger who makes other coworkers feel uncomfortable, even fearful. There’s the Kohberger who succeeds in school, is passionate about his classes, and impresse...
Ep. 5: Unresolved
Moscow is trying to move on from these horrific killings -- trying to find its way back to being a place that's more than the one terrible thing that happened here back in November 2022. But the trial of the suspected killer is fast-approaching, and it’ll surely throw this small town back into the national spotlight.
In this episode, we look at key evidence for the prosecution, and how Kohberger's defense team could challenge that...
Brief Update: Bryan Kohberger Pre-Trial
The State of Idaho’s case against Bryan Kohberger is starting to take shape. The trial was initially scheduled to begin in early October, but it’s been postponed. There have been some interesting developments so we're dropping into your feed with a brief update on Kohberger's alibi, and questions the defense is raising about the state's case.
The King Road Killings Update: A Longer Road to Justice
Host Kayna Whitworth returns to Idaho for a hearing in the Moscow murders case. Suspect Bryan Kohberger, who maintains his innocence, appeared in court and his attorneys say a summer 2024 trial isn’t realistic. Could it be 2025 before a trial begins? Meanwhile, Kayna sits down with the parents of victim Kaylee Goncalves who share frustration over what they consider a lack of communication from authorities and the rush to tear down ...
“When The Night Comes Falling” - An Alleged Killer’s State of Mind
A conversation with investigative reporter Howard Blum who’s written a new book about the Idaho murders that pieces together more details from that night and its aftermath.
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Download Our Free iHeartRadio App! ... Playlists from Yacht Rock Radio. Yacht Rock. Nothing but smooth sailing ahead. Yacht Rock Radio Playlist. A playlist for 70s & 80s Smooth Soft Rock - updated weekly! Singer-Songwriter Legends. Legendary storytellers, poets and voices. Cover: James Taylor.
Fleetwood Mac. 3 mins, 36 secs. Hold Me [Early Version; 2016 Remaster]Fleetwood Mac•MirageMirage. Fleetwood Mac. 5 mins, 20 secs. Song on the RadioAl Stewart•Time PassagesTime Passages. Al Stewart. 6 mins, 25 secs. Still the OneOrleans•Waking & DreamingWaking & Dreaming.
Bread. 2 mins, 30 secs. Saturday in the Park [2002 Remaster]Chicago•The Very Best of Chicago: Only the BeginningThe Very Best of Chicago: Only the Beginning. Chicago. 3 mins, 55 secs. How LongACE•Five-A-SideFive-A-Side. ACE. 3 mins, 24 secs. Dance with MeOrleans•Let There Be MusicLet There Be Music.
Yacht Rock Radio playlist; Yacht Rock Radio playlist. Don't know what song's been playing on the radio? Use our service to find it! Our playlist stores a Yacht Rock Radio track list for the past 7 days. Sat 17.08; Sun 18.08; Mon 19.08; Tue 20.08; Wed 21.08; Thu 22.08; Fri 23.08; Live: Michael McDonald - Sweet Freedom:
20. "Brandy (You're a Fine Girl)," Looking Glass (1972) Like "Summer Breeze" (found later in our list of Top 50 Yacht Rock Songs), Looking Glass' tale of an alluring barmaid in a busy harbor town ...
Playlist · Yacht Rock · 130 songs · 1.6M likes. Playlist · Spotify · 130 songs · 1.6M likes. Playlist · Yacht Rock · 130 songs · 1.6M likes. Playlist · Spotify · 130 songs · 1.6M likes. Home; Search; Your Library. English. Resize main navigation. Preview of Spotify. Sign up to get unlimited songs and podcasts with occasional ads. ...
"From 1976-1984*, the radio airwaves were dominated by really smooth music, also known as Yacht Rock." * Maybe up to '86, see closing track. Going by the cul...
Playlist · Yacht Rock - 100 Best Ever - Top Yacht Rock Songs · 113 songs · 2.2K likes.
Released in 1972, the one-hit wonder by Looking Glass, Brandy, established a much bigger name for itself than the band ever managed to achieve on its own.As one of the smoothest and catchiest songs of the '70s, Brandy consistently appears on nearly every Yacht Rock, adult contemporary, or easy listening playlist available. The song tells a melancholic tale that is open to interpretation ...
Here are some (you can make a playlist on iHeartRadio, or Spotify, or iTunes Music). These are in no particular order, and this is by no means what we could consider a complete list. Have fun - g. SEXY EYES - DR. HOOK. Listen to Greg & The Morning Buzz weekdays 5:30am-10am!
Stream Full Concert with Passport: https://to.pbs.org/yachtrockA sneak peek of this nostalgic musical journey through the late 70s and early 80s, featuring h...
70s & 80s Smooth Soft Rock. Yacht Rock Radio - 70s & 80s Smooth Soft Rock Count on Me Jefferson Starship
Not when you can find a station on IHeartRadio and playlists galore across the internet. Now that yacht rock has become a viable concern, some really good old songs have been lumped in with a lot ...
Welcome Yacht Rock Radio 60s, 70s & 80s Smooth Sailing Soft Rock…. Yacht Rock Radio's - All Year Summer Long Beach Party! You'll hear artists like Michael McDonald, Christopher Cross, Hall & Oates and other greats of smooth rock music. It's the kind of rock that doesn't rock the boat! So sit back in your lounge chair and soak it up!
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If you don't love songs about boats, one-night stands, and breezy California nights, you've come to the wrong place. Yacht Rock embodies the singer-songwriter soft rock that dominated FM radio playlists in the '70s. Combine slick L.A. production, earnest singing, and a touch of lite-country songwriting, and chances are, you had a Top 40 hit. These are the best of them.
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Monday : 10:00am - 03:00pm : Continuous Yacht Rock : Tuesday : 10:00am - 03:00pm : Continuous Yacht Rock
Download Our Free iHeartRadio App! ... Listen To The Most Popular Podcasts On iHeartRadio! Playlists from The Vinyl Experience. Classic Rock Playlist. The definitive collection of Classic Rock. ... Cover: James Taylor. Yacht Rock. Nothing but smooth sailing ahead. 60s Rock & Roll. Best Rock from the 60's. Latest News. One Of The Largest ...
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Hosts Steve Huey, JD Ryznar, David B Lyons, and Hunter Stair invent a new musical genre and count down its top ten songs. Plus, each episode features a bonus Yacht Rock Bone Throw track. Switched on Pop. A podcast all about the making and meaning of popular music. Musicologist Nate Sloan & songwriter Charlie Harding pull back the curtain on how ...
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Playlists from iHeartRadio Café. Yacht Rock. Nothing but smooth sailing ahead. Classic Rock Playlist. The definitive collection of Classic Rock. Cover: The Eagles. Singer-Songwriter Legends. Legendary storytellers, poets and voices. Cover: James Taylor. Latest News.
When four University of Idaho students were stabbed to death in their off-campus house on King Road, the media descended on the tiny town of Moscow, Idaho. ABC News Correspondent Kayna Whitworth brings listeners behind the scenes as she investigates the savage murders that captivated and horrified the nation in the winter of 2022. The King Road Killings, an immersive, reported series from ABC ...